Fleming’s 1939 American film The Wizard of Oz is an early pioneer of the use of innovative techniques in camera work, music, visual and special effects in modern day movie production. The musical-fantasy classic has also become a firm favorite among the American public and coupled with its influence in the film industry, it should be regarded as the most significant American film of all time.
Such is the popularity of Baum’s The Wizard of Oz that some critics have suggested that it and other forms of popular culture have replaced biblical teaching and mythology’s position in society’s collective imagination. So thorough is the permeation of the Oz fantasy that a mere mention of any of the popular quotes from the movie will instantly evoke the full comprehension and application of said quote to the context in question. So complete is our exposure to the fantasy that even the act of thinking about certain related issues is reduced to mere reflex. Hastings posits that while the Bible was once the “source of our verbal and visual shorthand” any reference to Biblical characters or quotations in today’s world had best be accompanied by a footnote. Can a fictitious girl and her dog really replace usurp religion’s role in the western world? The issue is definitely up for debate. One thing is for certain though, “Toto, we're not in Kansas any more."
Hastings, A. Waller. "Worshiping at the Altar of Oz ." The Lion and the Unicorn.
(21 Feb. 1997). Muse.jhu.edu, 1 Dec. 2008.


