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Call#: Van Pelt Library ML410.H4 B245 1960
Call#: HQ71 .B57 1991
Rachel Lewis, "Love and Persuassion in Monteverdi's L'Incoronazione Di Poppea," Music and Letters 86.1 2005
According to the Galenic tradition with which Monteverdi would have been familiar, there was no stable biological divide between male and female; the Renaissance lackeda scientific discourse that could even claim to establish a definitive method by which one distinguished male from female.14 Sexual identity was relational, not a fixed bodily condition, but a response to contexts that were always changing.15
14 See Ann Rosalind Jones and Peter Stallybrass, 'Fetishizing Gender: Constructing the Hermaphrodite in Renaissance Europe', in Julia Epstein and Kristina Straub (eds.), Body Guards: The Cultural Politics of Gender Ambiguity (New York and London, 1991), 80–110 at 81.
Call#: Van Pelt Library Ormandy Music and Media Center Erato 4255012 CD
Call#: Van Pelt Library Ormandy Music and Media Center Bon. 2221/2 CD
Call#: Van Pelt Library Ormandy Music and Media Center Music DVD 377
Call#: Storage/Music: From RECORD page, use Place Request tab Erato 750693
Seductive beauty characteristic of modernist music-drama (Bluebeard's Castle, Pellease et Melisande, even Wozzeck, Erwartung, Moses und Aron)
Call#: Van Pelt Library Ormandy Music and Media Center Music DVD 33
Call#: Van Pelt Library Ormandy Music and Media Center BMG 603316 LD
Call#: Van Pelt Library Ormandy Music and Media Center Music DVD 82
Call#: Van Pelt Library Ormandy Music and Media Center Music DVD 375