In this article, author Joseba Gabilondo discusses Steven Spielberg’s three highest grossing movies: Jaws, E.T., and Jurassic Park. Each of these three movies shares something in common with the others – non-human protagonists. Gabilondo addresses the influences of these three characters and how Hispanic and world cultures are affected by the globalization of Spielberg’s “monsters.”

Gabilondo begins with a discussion about how the shark, alien, and dinosaur, all seem to dominate the other characters in Jaws, E.T., and Jurassic Park, respectively. Furthermore, he points out that the main characters tend to be “white, masculine, heterosexual Anglo-American.” Consequently, when these characters eventually expose of or send away the associated “monster,” the stereotypical role reemerges in the spotlight of the film.

The effect of this process, Gabilondo writes, “...is a globalization that parallels that of America’s neo-imperialist supremacy.” For example, the shark in Jaws could be reduced to just a national problem (“man against nature”), thus excluding other nations from the situation. However, the alien in E.T. is most certainly a problem that must be applied globally. Finally, Jurassic Park actually takes place outside of the U.S., portraying Spielberg’s eventual globalization of his “monsters.”

According to Gabilondo, Jaws was not intended for audiences abroad as much as Spielberg’s later films, which is a logical conclusion because as he gained more experience and success, Spielberg was able to expand his horizons and produce movies with global appeal.