"Images, information, and discussion about these inexpensive novels marketed to women in the late 19th and early 20th centuries. Includes lists of writers (some with biographical information) and publishers, an overview of the dime novel series, a cover galley, and links to articles and stories. Discusses libraries with dime novel collections. From the Center for History and New Media at George Mason University." (via LII)

"Timeline of major milestones achieved by women throughout American history, such as Elizabeth Blackwell (1849), the first woman in the U.S. with a medical degree; Belva Ann Lockwood (1879), the first woman admitted to practice before the U.S. Supreme Court; and Effa Manley (2006), the first woman elected to the Baseball Hall of Fame. Includes links to additional information for selected women. From Information Please." (via LII)

from Duke...view it with IE (not Firefox)

"Archive of issues of a "triannual, multimedia, online-only journal of feminist theories and women's movements." Topics of some of the issues include feminist television studies, Zora Neale Hurston, feminism and violence, the legacy of Margaret Mead, and feminist views of the family. Includes photos, videos of conference proceedings, and other material from the collection of the Barnard Center for Research on Women. From Barnard College." (via LII)

"Collection of bibliographies on a variety of topics related to women's studies, such as women novelists and mystery writers, women in the performing and visual arts, ecofeminism, Jewish women, "the glass ceiling," women in higher education, and "Brave, Active & Resourceful Females in Picture Books." From the Women's Studies Librarian's Office, University of Wisconsin." (via LII)

"Interviews with and about Betty Friedan, "the Founder of the National Organization for Women, the National Women's Caucus, and the National Abortion Rights Action League" and author of books such as "The Feminine Mystique." From the Public Broadcasting Service (PBS) program, "The First Measured Century."" (via LII)

"This site features educational materials on issues affecting women, such as trafficking in women and girls, honor killings, and the war in Sudan. Find articles about current events, discussion groups, and details about legislation and opportunities to help improve the situation of women. A project of the Women's Funding Network, "an international organization ... committed to improving the status of women and girls locally, nationally and globally."' (via LII)

"This website discusses issues related to the education of girls and gender equity in education. Features an overview of the benefits of promoting increased girls' education in low-income countries, an outline of key issues (such as drop-out rates and poverty), data resources, publications, details about projects in specific countries, and related links. From the World Bank." (via LII)

Herstory [microform]. Berkeley, Calif. : Women's History Research Center, 1971- Call#: Microfilm cont 319 Covers newsletters, journals, and newspapers published by women's liberation groups between 1956 and 1971. International in scope.

Call#: Van Pelt Library HQ1420 .C65 2003

Call#: Van Pelt Library HQ1410 .M63 2002

Call#: Van Pelt Library HQ1410 .W644 2003

Call#: Van Pelt Library HQ1426 .L475 1987

Call#: Van Pelt Library Reference Stacks HQ1410 .K444 1997

Contains 40,000 articles from more than 100 journals, magazines, newsletters, special reports, unpublished papers and conference proceedings devoted to gender and women's issues. Holdings: The database contains a large body of archival material, in some cases, as far back as 1970.

A searchable collection of primary documents and images on a wide range of topics pertaining to U.S. women's history.

This full-text database provides international coverage of current issues such as employment and the workplace, social & political issues, violence and exploitation, development and human rights, health and reproductive rights, legal issues, education, culture and customs, demographics, contemporary family life, and arts and media. Holdings: 1992 to the present, (selected reports back to 1990).

"The Lesbian Herstory Archives of New York City, the largest and oldest Lesbian archive in the world, began in 1973 as an outgrowth of a Lesbian consciousness-raising group at the Gay Academic Union. The founders were concerned about the failure of mainstream publishers, libraries, archives, and research institutions to value Lesbian culture. It became obvious that the only way to insure the preservation of Lesbian culture and history was to establish an independent archives governed by Lesbians."

"The Forum is a non-partisan student organization of Harvard Law School dedicated to bringing open discussion of a broad range of legal, political and social issues to the Harvard Law School campus." The audio of past programs (some dating back to 1954) is archived here.

"In 1997 the Sophia Smith Collection (SSC) at Smith College received a grant from the National Endowment for the Humanities to process eight collections: the papers of Constance Baker Motley, Dorothy Kenyon, Mary Kaufman, Frances Fox Piven, Jessie Lloyd O'Connor, and Gloria Steinem and the records of the Women's Action Alliance and the National Congress of Neighborhood Women. These six individuals and two organizations were chosen in large part because of their impressive achievements, as 'Agents of Social Change,' the name by which the project became known."

"This site offers two approaches for the study of specific time periods in American women's history. Each section includes a timeline that links specific events with highly relevant online sources, followed by a guide to research sources (e.g., census, newspapers, secondary sources) that are appropriate for the specified time period."

An online exhibit from the Jewish Women's Archive, "explor[ing] Jewish women's impact on feminism and on the American Jewish community."

"The materials in this on-line archival collection document various aspects of the Women's Liberation Movement in the United States, and focus specifically on the radical origins of this movement during the late 1960s and early 1970s. Items range from radical theoretical writings to humourous plays to the minutes of an actual grassroots group."

"The Bibliography on Gender and Technology in Education has been created by gender equity specialist Jo Sanders. Focusing primarily on information technology, the bibliography is comprehensive as of 2005 and draws on international research as well as intervention literature. It contains nearly 700 entries and is extensively annotated, key-worded, and searchable. Sanders compiled the bibliography for her 2005 review article, "Gender and Technology: A Research Review.""

""The first-ever World Health Organization (WHO) study on domestic violence reveals that intimate partner violence is the most common form of violence in women's lives -- much more so than assault or rape by strangers or acquaintances." The full text of the 2005 report (with data and quotes) is accompanied by fact sheets with information about women's health and domestic violence in Brazil, Ethiopia, Japan, Samoa, and several other countries." (LII)

"For identification of more than 2,200 English-language feature films and television movies inspired by women's writings [...]. Covers 1913-88 releases. By author, with essential details provided; indexes of film titles and literary sources." (Balay, Guide to reference books, 11th ed, 1996)

"A celebration of women's behind-the-scenes contributions to film. Divided into 13 main sections relating to directors, producers, writers, film editors, animators, stunt women, foreign notables, etc. Sketches contain filmographies and emphasize career accomplishments (and sometimes hurdles). Select bibliography; index of names, titles, and topics." (Balay, Guide to reference books, 11th ed, 1996)

"Writer/producer/director Acker's volume capably fills a surprisingly neglected gap in the film field by profiling more than 120 women directors, writers, producers, editors, stuntpersons, etc., who worked or are working in the U.S. film industry. Coverage is from the 19th century to the present day. Each entry includes a biographical sketch, emphasizing interview quotes, and filmographies (some selective). Acker wisely avoids any critical analyses of her subjects' films, and should be commended for her accuracy. Her resource is more compact, comprehensive, and useful (while more pricey) than works such as Louise Heck-Rabi's Women Filmmakers (Scarecrow, 1984)." (Library Journal, 4/15/91, Vol. 116 Issue 7, p94)

"contains shorter entries [than Women Film Directors: An International Bio-Critical Dictionary] on a wider range of subjects" (Library Journal, 10/1/94, Vol. 119 Issue 16, p72)

"This important work compiles a significant amount of otherwise difficult-to-find information on women filmmakers working in all countries and all contexts, whether mainstream, independent, or experimental/avante-garde. The introduction, which gives generous consideration to a wide range of scholarly contributions, is an excellent synthesis of writing in English on women directors. Following are alphabetical entries of over 200 bibliographic references to interviews and filmographies that would have been more useful with the inclusion of running time, place, and production company. The considerable amount of critical commentary that Foster (English, Univ. of Nebraska) includes is an amalgam of secondary-source opinion and Foster's own viewing of a wide sampling of the films. The only other reference work in this area is The Women's Companion to International Film (LJ 10/1/94), which contains shorter entries on a wider range of subjects. Public and academic libraries with any interest in film will want to acquire both titles, as they will appeal to all types of readers." (Library Journal, 10/15/95, Vol. 120 Issue 17, p54)

"Lowe's appealing work profiles the careers of nearly 300 women active in silent film, mostly as performers. Entries have biographical information, film credits, and, often, a still of the biographee. A few subject entries dot the text, some on unusual topics--e.g., "suffrage films." The work's unique scope--women from any aspect of the early history of the film industry--fills a vacancy in the literature at a time when interest in silent film is growing. For deeper coverage of about 50 early figures, readers may want to consult Ally Acker's Reel Women: Pioneers of the Cinema 1896 to the Present (1991). The appendixes of Lowe's work often provide arcane information difficult to find elsewhere: which silent film actress had the longest careers, which were WAMPA (Western Associated Motion Picture Advertisers) baby stars and sisters, which are memorialized on the Hollywood Walk of Fame and at Grauman's Chinese Theatre, and which covered in the main text functioned behind the scenes in the film industry. Strengths of this title include its breadth and extent of coverage, illustrations, readable style, and unique information." (Choice, June 2005)

An extensive biographical listing with critical/analytic commentary. "A welcome addition to the growing number of reference works on women in the film industry, this book is more general in scope than works confined to cinematic contributions by women during a particular era (e.g., Anthony Slide's The Silent Feminists: America's First Women Directors, CH, Jan'97) or their occupations in the industry (e.g., Women Writers: From Page to Screen, by Jill Rubinson Fenton et al., CH, Feb'91). Its breadth of scope and inclusion of essays about outstanding women filmmakers complement Ally Acker's Reel Women: Pioneers of the Cinema from 1896 to the Present (CH, Nov'91) and Gwendolyn Audrey Foster's Women Film Directors: An International Bio-critical Dictionary (CH, Apr'96). Entries include filmographies and literature by (and sometimes about) the women profiled. A list of films in which women filmmakers have had a major role has several entries and gives credits and references for further reading. Illustrations enliven the text. A chronology of women filmmakers and indexes by nationality, occupation, awards, distributors, and film titles add greatly to the value of the work. General and academic libraries." (Choice, November 1998)

""In imaging female subjectivity and addressing the spectator as female, feminist filmmakers have created films which transform and innovate cinematic codes and conventions." Smelik switches the focus of feminist discourse from spectator to filmmaker. Unwilling to revive the auteur theory, which she considers to be elitist and phallocentric, she nevertheless investigates the works of such filmmakers as Sander, Campion, Treut, and Adlon and discovers ways in which they subvert traditional cinematic subjectivity, affect, and modes of representation. Smelik's arguments are, of course, deeply rooted in the feminist theory of Lacan, Mulvey, Silverman, Kaplan, Irigaray, et al., but she also includes such figures as Eisenstein and Barthes. She does not privilege any particular theory but uses whatever works for the particular filmmaker she is dealing with. Her choice of films is as refreshing as her method: one is too used to reading about the same feminist films in book after book. Smelik's knowledge of the field is encyclopedic, and her analyses are consistently persuasive. This welcome addition to the ongoing feminist discourse is recommended for upper-division undergraduates through faculty." (Choice, February 1999)

"This fourth volume of a series formerly published semiannually (1975-79) offers wider coverage than do articles in a single periodical issue, and it addresses a general audience. After a brief section defining feminist film theory and criticism, the essays treat individual films (The Women, 1939; Sunset Boulevard, 1950; Kramer vs. Kramer, 1979; Marianne and Julianne, 1981), individual stars (Marilyn Monroe, Gloria Swanson, Marlene Dietrich, and Jane Fonda), or categories of film genres and authorship. This focus results in a gap between the stated methods and goals of feminist film theory and the subsequent essays that frame questions about women as image or author within traditions of literary analysis. Most contributors do rely on Laura Mulvey's touchstone essay "Visual Pleasure and Narrative Cinema" (written 1975) for its psychoanalytically based conception of women's cinematic representation and objectification as the target of a specified male gaze. But the paucity of theoretical development beyond this point makes both essays and bibliography (which appear to be five to ten years old) seem somewhat dated, almost nostalgic. There are notable exceptions, including Richard Dyer's extraordinary study of Marilyn Monroe and sexuality (also published in his book Heavenly Bodies, CH, Mar '87) and Susan Leger's essay on Margeurite Duras, which embraces concerns of women and language as well as early writings of French feminist theory. Usable from lower division onward" (Choice,July 1989)

"The publication of this new edition of Kaplan's anthology of essays, first issued in 1978 and updated in 1980 (CH, Apr'81), is a welcome event. The addition of six articles that augment and deepen the collection's examination of the noir genre from feminist and poststructural critical perspectives makes this volume an indispensable scholarly tool, the most important assemblage on film noir since Joan Copjec's Shades of Noir (1993). Although film scholarship has evolved exponentially in the 20 years since Kaplan's edition was initially released, the original eight essays remain landmark contributions--illuminating approaches to an understanding of the gender tensions shaping and complicating much of US culture in the postwar decades. Several of the new inclusions probe issues of representation and spectatorship beyond the heterosexual divide. Collectively, the added pieces address generational differences between classic and neo-noir cinema and demonstrate the versatility and persistent vitality of the noir mode. Kaplan's introduction to the new edition provides useful historical and critical context, and the supplementary bibliography is a starting point for anyone wanting to investigate the genre. A must for all academic libraries." (Choice, July 1999)

"Unlike many other film criticism collections, which concentrate on the representation of a particular group or genre, this volume collects a range of writings on a number of very different and specific topics and links them together through the rubric of gender. Pomerance (sociology, Ryerson Polytechnic Univ., Toronto) has divided the book into three main areas: gender in non-American films, gender as coded through actions, and transgressive representations of gender that are held up as "paragons or pariahs." While the range of topics makes the volume difficult to pin down conceptually, the essays are, for academic work, quite readable. This collection is unusual enough to warrant a spot in most academic libraries with collections devoted to film studies or gender issues." (Library Journal, 05/01/2001, Vol. 126 Issue 8, p88)

interviews with Pearl Bowser; Margaret Caples; Michelle Citron; Megan Cunningham; Cheryl Dunye; Vanalyne Green; Barbara Hammer; Kate Horsfield; Carol Leigh; Susan Mogul; Juanita Mohammed; Frances Negrsn-Muntaner; Eve Oishi; Constance Penley; Wendy Quinn; Julia Reichert; Carolee Schneemann; Valerie Soe; Victoria Vesna; and Yvonne Welbon.

"This site offers two approaches for the study of specific time periods in American women's history. Each section includes a timeline that links specific events with highly relevant online sources, followed by a guide to research sources (e.g., census, newspapers, secondary sources) that are appropriate for the specified time period."

older, but still relevant?

multiple copies...women film critics

so many copies...importance?

Papers presented at a conference held Nov. 1990 at York University and other papers.

but what is this really about?

website from brandeis with links to health information on many topics, geared toward college-age women

"A collection of digital images containing more than 100 pamphlets published by political and social pressure groups in the United States. Topics include the American Indian Movement, Asian Americans, birth control, Black Panthers, Hollywood Ten, Industrial Workers of the World (IWW), Ku Klux Klan (KKK), Rosenberg Case, Sacco-Vanzetti Case, Scottsboro Boys, Students for a Democratic Society (SDS), and Wounded Knee. From the Michigan State University Libraries."

Pfaelzer, J. (1999). Salt of the Earth: Women, Class, and the Utopian Imagination. Legacy: A Journal of American Women Writers, 16 (1): 120-31.

This is an article that deals with representations of working women and class in the film.

"Compilation of links to information about cancer of the cervix, covering diagnosis, treatment, prevention and screening, and topics related to cervical cancer (such as human papilloma virus and cervical dysplasia). Some material available in Spanish. From the National Library of Medicine (NLM) and the National Institutes of Health (NIH)."  LII