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<title>Casablanca man : the cinema of Michael Curtiz / James C. Robertson.</title>
<description>&lt;div&gt;Robertson, James C. (James Crighton), 1930-. Casablanca man : the cinema of Michael Curtiz / James C. Robertson. [0415068045] London ; New York : Routledge, 1993. &lt;br /&gt;Call#: Van Pelt Library PN1998.3.C87 R63 1993&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;font size="3"&gt;&lt;font face="Times New Roman"&gt;This book distinguishes itself by giving a through biography of Casablanca&amp;rsquo;s often forgotten director, Michael Curtiz.&amp;nbsp; Usually considered to be nothing more than a studio workhorse, Curtiz and his work have often been ignored as merely the cookie cutter products of the enormous studio factories.&amp;nbsp; In the &lt;u&gt;Casablanca Man&lt;/u&gt;, Robertson tries to rebuff this image of Curtiz and investigate the unique elements of Curtiz&amp;rsquo;s work.&amp;nbsp; During this investigation, Robertson outlines Curtiz&amp;rsquo;s life-story and the influence that it had on his films.&amp;nbsp; Robertson also attempts to discover the man behind Curtiz&amp;rsquo;s films by researching the director&amp;rsquo;s view of film auteurism.&amp;nbsp; In 1917, Curtiz stated that the director&amp;rsquo;s place in a film could be described as a kind of supreme behind the scenes coordinator.&amp;nbsp; Throughout his life, Curtiz favored a hidden approach regarding the influence he had on his own films.&amp;nbsp; Unfortunately, this method has led critics and viewers alike to forget his existence or see his many successful films as merely happy studio systems accidents.&amp;nbsp; This book is highly relevant to the analysis of Casablanca because it reminds its audience to not forget the work of a director who seems to have put a great deal of effort into being forgotten.&amp;nbsp; Curtiz&amp;rsquo;s influence on Casablanca is significant and (as this book reminds us) should not be forgotten.&amp;nbsp; &lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;</description>
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<title>Casablanca : behind the scenes / Harlan Lebo.</title>
<description>&lt;div&gt;Lebo, Harlan.. Casablanca : behind the scenes / Harlan Lebo. [0671769812 :] New York : Simon &amp;amp; Schuster, c1992. &lt;br /&gt;Call#: Van Pelt Library PN1997.C3523 L4 1992&lt;/div&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;font size="3"&gt;&lt;font face="Times New Roman"&gt;The object of this book is to present a detailed summary of many aspects of the making of the legendary film &lt;em&gt;Casablanc&lt;/em&gt;a.&amp;nbsp; This summary includes a brief history of the Warner Brothers studio, the life of Jack Warner, short biographies of Humphrey Bogart and Ingrid Bergman, and the traumatic story of the writing &lt;em&gt;Casablanca&lt;/em&gt;&amp;rsquo;s screenplay.&amp;nbsp; Although at first glance, this book seems to be a classic coffee-table book, its contents and writing style do much to differentiate it from this rather superficial genre.&amp;nbsp; Lebo seems to desperately search for a middle ground between the aesthetically pleasing use of pictures in his book and the more academic use of detailed analysis and quotation.&amp;nbsp; By blending the two styles, Lebo creates a book that is stimulating both visually and intellectually.&amp;nbsp; &lt;em&gt;&lt;u&gt;Casablanca Behind the Scenes&lt;/u&gt;&lt;/em&gt;&amp;rsquo; is relevant to this film&amp;rsquo;s analysis because it gives a detailed summary of the behind the scenes drama and controversy inherent to the making of the now legendary film.&amp;nbsp; &amp;nbsp;This analysis particularly shows the inner workings of the Hollywood studio system and gives examples of the system&amp;rsquo;s advantages and faults.&amp;nbsp; &lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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