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<title>The Interplay of Visual and Audio Forms in Alexander Nevsky: An Assessment of the Eisenstein-Prokofiev Collaboration</title>
<description>An analytical assessment of the audio-visual structure in Eisenstein's "Alexander Nevsky" which utilizes both primary and secondary sources. I focus on the functional and conceptual aspects of the film's score by contextualizing it within the framework of Eisenstein's theory of sound-film and the nature of Eisenstein-Prokofiev collaboration.</description>
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