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<title>Fred Zinnemann : films of character and conscience / Neil Sinyard.</title>
<description>&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Neil Sinyard argues that Fred Zinnemann&amp;rsquo;s protagonists share in a courageous struggle. Through &lt;em&gt;High Noon&lt;/em&gt;, &lt;em&gt;From Here to Eternity&lt;/em&gt;, &lt;em&gt;Nun&amp;rsquo;s Story&lt;/em&gt; and &lt;em&gt;A Man For All Seasons&lt;/em&gt;, one witnesses remarkably striking similarities among the individuals and the methods Zinneman uses to enhance them.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; To Zinnemann, there existed realities worse than death for a hero. Sinyard notes that &lt;em&gt;High Noon&lt;/em&gt;&amp;rsquo;s heroic Marshal &amp;ldquo;elaborated a characteristic Zinnemann protagonist: a loner with a strong sense of duty who knows he could not live with himself if he were to go against his conscience&amp;rdquo; (67).&amp;nbsp; In &lt;em&gt;From Here to &lt;/em&gt;Eternity, though the protagonist Prewitt accomplishes relatively little, like many of Zinnemann&amp;rsquo;s other protagonists, his individualism forces others to confront uncomfortable decisions. In &lt;em&gt;A Man For All Seasons&lt;/em&gt;, Zinnemann assumes the audience knows nothing and depicts More as a &amp;ldquo;hero of selfhood&amp;rdquo; who refuses to accede to political or social pressures. Zinnemann&amp;rsquo;s protagonists are inspirational because their decisions have a transcendent resonance with the audience. Each hero ends up confronting evil alone and without any assistance.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Zinnemann used creative visual imagery to enhance his protagonists and enhance their accessibility. In &lt;em&gt;High Noon, &lt;/em&gt;he uses close-ups of a clock as the climax approaches. &lt;em&gt;&amp;nbsp;&lt;/em&gt;Though a Western, the central theme is a struggle of characters, not the landscape, and the flatness of the film projects that. The opening shot of &lt;em&gt;From Here to Eternity&lt;/em&gt; shows the conflict of the individual with the group and the contrast between the purposeful path of one man and the rigidity of a group. In &lt;em&gt;Nun&amp;rsquo;s Story&lt;/em&gt;, Zinnemann uses visual imagery to portray the horrors of war through twisted trees. With More, as he approaches his doom in the courthouse, he enters through a narrow path symbolizes the difficult path of his morality.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; In short, Sinyard concludes that the enduring appeal of Thomas More, who epitomizes the personal characteristics of Zinnemann&amp;rsquo;s other protagonists, is his courage and fortitude in standing for what he felt was right even though it cost him his office and ultimately his life. What makes Zinnemann&amp;rsquo;s characters enduring and strong is that they &amp;ldquo;stay on their path that is their concept of destiny&amp;rdquo;(79) and their willingness to sacrifice everything for principle(93). &lt;/p&gt;</description>
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