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<title>The Trouble With Larry.</title>
<description>&lt;p&gt;&amp;quot;The Trouble With Larry.&amp;quot; &lt;u&gt;Forbes&lt;/u&gt; (2004) Vol. 173 Issue 6, p84, 1p&lt;/p&gt;&lt;p&gt;&lt;font face="Times New Roman" size="2"&gt;The article is a response to Lessig and his beliefs than anything else.&amp;nbsp; The technology section of Forbes Magazine is usually not a theater for copyright arguments and Manes goal is clear from the beginning of the article: to discredit Lessig and his extreme view of fair use.&amp;nbsp; As such, Manes&amp;rsquo; arguments are less academic and more of a subjective style.&amp;nbsp; While this has limited value, Manes opinion serves as at least a dissenting view of the situation.&amp;nbsp; It is these general disagreements in which Manes basis his article.&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face="Times New Roman"&gt;&lt;font size="2"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Manes believes that there is a strong need for a balanced definition of fair use for copyright law, but that Lessig&amp;rsquo;s opinion is far too liberal, allowing for illegal activities to occur at the expense of the creators.&amp;nbsp; To finish his attack on Lessig, Manes points to a Supreme Court ruling that Lessig lost attempting to reform the current copyright law.&amp;nbsp; Lessig believes in legal file sharing and is a proponent of technology, whereas Manes prefers current law is adequate.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face="Times New Roman"&gt;&lt;font size="2"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A major point of disagreement comes from the fact that Manes believes a new copyright law similar in proposal to Lessig&amp;rsquo;s would be detrimental to our current international copyright law.&amp;nbsp; If changed, Manes argues, it could effectively destroy treaties, agreements, and current practices of media culture, thus greatly affecting America&amp;rsquo;s cultural export.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font face="Times New Roman"&gt;&lt;font size="2"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The closing comment relates to my thesis in that Manes argues that current copyright law has established the United States as the major culture center in the world.&amp;nbsp; He states that &amp;ldquo;our intellectual property provides America&amp;rsquo;s greatest worldwide successes,&amp;rdquo; and that current copyright law facilitates this flow.&amp;nbsp; Manes credits current copyright law to the success and globalization of American movies and music and that Lessig&amp;rsquo;s attempt to change copyright laws would greatly detriment this.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</description>
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