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<title>McCabe, Susan.  Cinematic modernism : modernist poetry and film</title>
<description>&lt;div class="mlacite"&gt;Call#: Van Pelt Library PS310.M65 M37 2005&lt;/div&gt;&lt;div class="mlacite"&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="mlacite"&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.5in" class="MsoNormal"&gt;McCabe, Susan. &lt;u&gt;Cinematic Modernism: Modernist Poetry and Film&lt;/u&gt;. Cambridge, UK; New  York: Cambridge UP, 2005.&lt;/p&gt;&lt;/div&gt;&lt;br /&gt; McCabe touches on Pabst passim.  Of particular interest is her discussion of &amp;quot;H.D.'s unremitting admiration of Pabst--from &lt;em&gt;Joyless Street&lt;/em&gt; to having 'vanquished the border-sphere' in &lt;em&gt;Secrets of a Soul&lt;/em&gt;&amp;quot; (162).   McCabe suggests that H.D. was attracted to Pabst's &amp;quot;feminine&amp;quot; film style which influenced her own film aesthetic.&lt;br /&gt;</description>
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