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<title>Copyright (c) 2008 Regents of the University of California UC Davis Law Review December, 2008 42 U.C. Davis L. Rev. 343</title>
<description>&lt;p&gt;
&lt;p&gt;he dominant project of cyberlaw is to parse the implications of the Internet's structural rules or "code." n302 Legal scholars seeking to explain the Internet's dynamism as a unified platform have emphasized a particular structural factor: the so-called "end-to-end" model. n303 An end-to-end network is one that pushes control out to the endpoints. n304 The network focuses on moving bits from one place to another, without considering what those bits contain. Any edge device, such as a computer or mobile phone, can add a new application, and those edge devices are solely responsible for factors such as reliability and security that ensure the success of that application. Because innovations do not require the consent or updating of the network core, those innovations can be deployed more quickly.n305 As edge devices become more powerful, which they do as computing power improves over time, their enhancements can immediately be joined to the network. So, new services such as Google, Skype, Hotmail, Facebook, and Amazon.com can catch on and grow rapidly, generating significantly more social and economic benefits than in a network like the PSTN, where central control nodes must approve new features. n306&lt;/p&gt;
&lt;p&gt;The end-to-end model emphasizes only one side of the equation - the edges. The Internet gives extraordinary power to its endpoints, but it also embodies linkages between those endpoints, and between &amp;nbsp;[*400] &amp;nbsp;aggregations of systems that connect into a composite network. The fact that the edges of the network define the applications say nothing about how those edges are wired together. An endpoint can offer a brilliant innovation, but such innovation will be of no value if other endpoints cannot access it, or cannot access it easily. n307 Something more than the end-to-end principle must explain how the Internet holds together.&lt;/p&gt;
&lt;/p&gt;</description>
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<title>The Access/Impact Problem and the Green and Gold Roads to Open Access: An Update</title>
<description>&lt;p&gt;&lt;span style="font-family: 'Times New Roman'; font-size: 16px;"&gt;
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&lt;p&gt;This article aims to argue for the benefits of all scholarly journals being Open Access. Authors argue that non-open access journals are significantly detrimental to an authors' research impact. Their argument is that even if all journals charged an at-cost price for their content no (or very few) libraries would be able to afford all journals in this situation. The article gives excellent statistical information, including charts and grafts depicting the impact that Open Access has on citations, downloads, budgets, and institutional archive growth.&lt;/p&gt;
&lt;p&gt;This article explores the benefits of open access publication to scholars and researchers in so much as Open Access will greatly increase their research impact because a ten-fold number of other researchers will be able to review their work. By referring to some of the statistics and information the authors of this article have compiled, I will further list the importance of why pushing publishers toward Open Access or "less astringent copyright practices" is of extreme importance in today's library fields. Undoubtedly, pushing information on why pushing publishers toward O.A. would help library's with their budgets, but also would increase library usage. However, I think it is also important to argue librarians have a duty to further scholarship, showing that O.A. helps facilitate research and increase citations and articles downloads will be an extremely efficient way of doing this.&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/project/42818</guid>
<link>http://tags.library.upenn.edu/makerecord/project/42818</link>
<title>Existential Dilemma: Librarians as Gatekeepers</title>
<description>Traditionally, librarians have been viewed as gatekeepers (among other things). However, Librarians (for the most part) view themselves as catalysts helping patrons getting the material they want as quickly and as "painlessly" as possible. For most patrons the ideal librarian is one who can find whatever information they need quickly, easily, possibly be able to teach them how to do it themselves, and -- most importantly -- do all of this for free. Most librarians, I assert, want to be the patron's ideal librarian. So, why then are librarians gatekeepers -- shouldn't librarians be ignoring copyright all-together in order to be the ideal librarian?


The answer is that most librarians don't feel as if copyright law is some moral code they must abide by; rather, most librarians are afraid their library is going to get sued. Is having one's library being sued a legitimate fear for librarians? I argue that it is not a legitimate fear. In addition, library's and librarians have come to a breaking point in regards to copyright. Library's can barely afford the high prices for copyrighted material and most librarians believe there needs to be a universal embrace of open access in order for libraries to continue providing the services they have historically provided.


Librarians need to be rebellious against copyright in order to push publishers away from price-gouging and the strangle-hold they have over their content. If librarians adopt an end-to-end policy, learn to circumvent copyright law as legally as possible, and know how likely it is that their library will be sued, then librarians will finally be taking a truly proactive and rebellious stance against copyright.</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/42650</guid>
<link>http://tags.library.upenn.edu/makerecord/url/42650</link>
<title>Copyright Policies and the Deciphering of Fair Use in the Creation of Reserves at University Libraries.</title>
<description>&lt;p&gt;The above article revolves mostly around the the use of electronic reserves at university libraries and what copyright restrictions apply to the use of E-Res. Also, it discusses various court cases involving copyright and attempts to form a listing of percentages of work that could be used without infringement. By doing this the authors attempt to form a more 'objective' and concrete idea of what constitutes copyright infringement. In addition, the authors argue against using the Copyright Act of 1976 as a guideline for libraries, stating that it does not accurately depict fair use.&lt;/p&gt;
&lt;p&gt;This article will be extremely useful to me because it attempts to objective numbers as to where copyright infringement begins and fair use ends. Also, it explains the awareness of copyright law by various individuals who work in and around a library. By using some of the information compiled from this article I intend to show how unlikely it is to expect a librarian to do the calculations and to have a cogent knowledge of what is fair-use and what constitutes infringement. Also, by concurring with this article's authors on the unreliability of the copyright act of 1976 to accurately define fair use for libraries will help to build the credibility of my argument.&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/42826</guid>
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<title>A LAY PERSPECTIVE ON THE COPYRIGHT WARS: A REPORT FROM THE TRENCHES OF THE SECTION 108 STUDY GROUP HORACE S. MANGES LECTURE: APRIL 1, 2008</title>
<description>&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
&lt;p&gt;Note: Lexis Nexis doesn't give persistent links (or else I am unable to find where they do) in order to retrieve this article simply search for "a lay perspective on the copyright wars" with only the legal box checkmarked and it will be the first result.&lt;/p&gt;
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&lt;p&gt;In this Lecture, Columbia University's University Librarian, James G. Neal, addresses the current environment of libraries in regards to copyright and open access. Neal's lecture mostly addresses the findings of the 108 Study Group which was formed to research copyright. Neal explains the current state of copyright, the findings of the 108 Study Group, and the framework necessary in order to facilitate a more open environment for publications and libraries. Neal's lecture defines the library as an all encompassing entity which disseminates information, a center for research, a publisher in its own right. Because of the library's role as a center for just about everything scholarly, the library has a vision of embracing legacy as well as current trends. The library is an information repository and a portal to information. Serving so many roles simultaneously makes the library at the forefront of the copyright war.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;In my essay it will be important to state why it is the duty of the librarian to rebel against copyright in order to push for more open access. Neal helps define the library as the center of the copyright war, the very front of the action. By citing Neal and his 108 Study Group's findings, I will be able to convey the importance of the librarian to stand up against copyright in order to defend the very embodiment and idea of the library itself. Neal's article also gives information on the opninion of librarians and library organizations on the issue of copyright and open access. Using some of this information will help me to define how to faciliate a better enviornment for the sharing of intellectual materials.&lt;/p&gt;
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/42761</guid>
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<title>U.S. Code TITLE 17--COPYRIGHTS</title>
<description>&lt;p&gt;U.S. Code Title 17 is the definitive legal resource for the U.S. Laws regardining copyright. This resource has relevant information on what constitutes copyright infringement and what actions are needed to remedy said infringements.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;I will use the above resource as a primary source. This source will help me to define exactly what copyright infringement is according to the law. The above material will help me to define what actions a librarian could take when addressing sensitive copyrighted materials. By knowing the extent of the law I could then determine what are suitable actions to take when coming in contact with something which is questionable -- and in turn what is definitively illegal -- in order to argue for what actions a librarian could take to "push the envelope" on copyright law.&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/42646</guid>
<link>http://tags.library.upenn.edu/makerecord/url/42646</link>
<title>The flavors of open access</title>
<description>&lt;p&gt;The above articles attempts to comprehensively define Open Access, listing the various iterations of Open Access as it is defined differently by whom is using it. The article then tries to unify the definition of Open Access or at least define Open Access in their own terms. From which point the authors address the goals of the Open Access movement or what is the intended outcome by spporters of Open Access. The author gives a fairly decent job at illuminating some of the struggles toward the adoption of a universal open access policy, but also lists the benefits of a universal Open Access policy. The article gives multiple viewpoints to Open Access (Advocates, Critics, Observers)...&lt;/p&gt;
&lt;p&gt;I plan to use this article as an information resource showing what benefits there are to Open Access resources. By using this articles definition of Open Access and mentioning some of its lofty goals for Universal Open Access, I intend to show in my essay what the benefits would be for Librarians to push publishers toward open access by knowing ways "around" copyright. In other words, I will use examples from this article to show what benefits there are for librarians to legally circumvent copyrighted materials and "play dumb" when it comes to copyrighted works.&lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/42757</guid>
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<title>Make a Copyright U-Turn and 5 Other Audacious Statements about Copyright and Educational Fair Use</title>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/40687</guid>
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<title>Google &amp; the Future of Books</title>
<description/></item>
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<title>A Press Revolt Against E-Packet Practices :: Inside Higher Ed :: Higher Education's Source for News, and Views and Jobs</title>
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<title>Bernard Becker Medical Library - Scholarly Communications Portal</title>
<description>Washington University in St. Louis School of Medicine.</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/url/6979</guid>
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<title>Keep What Belongs to You: Authors Rights &amp; Copyright</title>
<description>&lt;p&gt;As we learned in Lessig's book, there are barriers to access of creative works beyond the strictures of copyright law, including licensing agreements and cost constraints. As a major research university, Penn produces a tremendous amount of valuable, copyrightable content. However, Penn authors often do not keep rights to their work and the University must buy back the work from journal publishers with considerable restrictions on use. This guide describes ways that faculty and other authors can negotiate with journal publishers to maintain some rights to their own works while continuing to participate in the publication of research articles.&lt;br /&gt; &lt;/p&gt;</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/project/7020</guid>
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<title>Penn Reading Project -- Free Culture</title>
<description>The original home of "Free Culture," libraries rely on copyright law for their very existence. Librarians have been addressing issues around copyright and culture for years, working to make the academic and creative output of the world available to our users.  Below, find a collection of resources from the University of Pennsylvania Library about Free Culture. And while you're here, add your own voice to the conversation about Free Culture at Penn by using &lt;a href="http://tags.library.upenn.edu/help/"&gt;PennTags&lt;/a&gt; to tag resources you find about Free Culture.</description>
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<title>Scholarly  Communication</title>
<description>&lt;br /&gt; This is a listing of important and interesting articles, blogs, and webpages that discuss open access and copyright issues on campuses throughout the United States.</description>
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<item><guid isPermaLink="true">http://tags.library.upenn.edu/makerecord/voyager/5053</guid>
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<title>Acquiring copyright permission to digitize and provide open access to books / by Denise Troll Covey.</title>
<description>&lt;div class="mlacite"&gt;Troll Covey, Denise. . &lt;span style="text-decoration: underline"&gt;Acquiring copyright permission to digitize and provide open access to books / by Denise Troll Covey. &lt;/span&gt; [193364530X (alk. paper) ] Washington, DC : Digital Library Federation, Council on Library and Information Resources, c2005.  &lt;br /&gt;Call#: Van Pelt Library KF3024.M32 T76 2005&lt;/div&gt;&lt;br /&gt; &lt;br /&gt;</description>
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<title>ALA | Facilitating open access</title>
<description>Great article on copyright and open access with a catchy metaphor to LOTR. Written by John Ober of UC Office of Scholarly Communication, from &lt;strong&gt;&lt;em&gt;C&amp;amp;RL News,&lt;/em&gt; April 2006.&lt;/strong&gt;</description>
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<title>Open Access Webliography</title>
<description>&amp;quot;This webliography presents a wide range of electronic resources related to the open access movement that are freely available on the Internet as of April 2005.&amp;quot;</description>
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