http://tags.library.upenn.edu/tag/warner_brothers+edward_woods+wellman PennTags Feed http://tags.library.upenn.edu/makerecord/project/36323 http://tags.library.upenn.edu/makerecord/project/36323 In the early 1930s, the gangster film enjoyed center stage in Hollywood. The fame of the genre reflected a real-life spike in crime, as America was in the midst of the Great Depression. A broken economy and collapsed financial system pushed market exchanges underground, engendering a thriving mob and gang culture. Many gangster films, replete with theatrical scenes of violence, dramatized America's latest criminal fad. However, other films attempted to analyze the gangster from a psychological or sociological standpoint, offering explanations and solutions. The Public Enemy falls into the latter category, representing a shift in the depiction of the gangster. Prior to the release of The Public Enemy, a majority of crime films painted gangsters as inexplicable sources of immorality and vice. However, The Public Enemy offers a unique presentation of crime life, emphasizing the economic and social environment of gangsters, and controversially allowing the audience to both identify and empathize with America's most dangerous criminals.