PennTags Feed for /walther/jane_austen

Anxious power : reading, writing, and ambivalence in narrative by women / edited by Carol J. Singley and Susan Elizabeth Sweeney.

Anxious power : reading, writing, and ambivalence in narrative by women / edited by Carol J. Singley and Susan Elizabeth Sweeney. [0791413896 (alk. paper) : ] Albany : State University of New York Press, c1993.
Call#: Van Pelt Library PS152 .A59 1993

The Word as Battleground in Jane Austen's Persuasion / Julia Giordano

Ambiguous discourse : feminist narratology and British women writers / edited by Kathy Mezei.

Ambiguous discourse : feminist narratology and British women writers / edited by Kathy Mezei. [0807822906 (cloth : alk. paper) ] Chapel Hill, NC : University of North Carolina Press, 1996.
Call#: Van Pelt Library PR830.W6 A43 1996

The Look, the Body, and the Heroine of Persuasion: A Feminist-Narratological View of Jane Austen / Robyn Warhol 21
Discourse, Gender, and Gossip: Some Reflections on Bakhtin and Emma / Christine Roulston 40
Who Is Speaking Here? Free Indirect Discourse, Gender, and Authority in Emma, Howards End, and Mrs. Dalloway / Kathy Mezei 66
Parsing the Female Sentence: The Paradox of Containment in Virginia Woolf's Narratives / Denise Delorey 93
Spatialization, Narrative Theory, and Virginia Woolf's: The Voyage Out / Susan Stanford Friedman 109
The Rhetoric of Feminist Conversation: Virginia Woolf and the Trope of the Twist / Melba Cuddy-Keane 137
The Terror and the Ecstasy: The Textual Politics of Virginia Woolf's Mrs. Dalloway / Patricia Matson 162
Seismic Orgasm: Sexual Intercourse and Narrative Meaning in Mina Loy / Rachel Blau DuPlessis 187

How Jane Austen's Characters Got Around

Cambridge companion to Jane Austen / edited by Edward Copeland and Juliet McMaster.

Cambridge companion to Jane Austen / edited by Edward Copeland and Juliet McMaster. [0521495172 (hardback) ] Cambridge ; New York : Cambridge University Press, 1997.
Call#: Van Pelt Library PR4036 .C3 1997

useful essays on ‘Class’ and ‘Money’ as well as ‘Style’ and on individual novels, reflecting a new awareness of Austen's participation in a discourse rather wider than the initially domestic focus of her novels might suggest