Studies in American culture [0888-5753]
yr: 1997 vol: 20 iss: 1 pg: 39
treatment of homosociality; masculinity; in Tarantino, Quentin (1963- ): Pulp Fiction (1994); relationship to French Arthurian romance
| Title: | 'Style,' Posture, and Idiom: Tarantino's Figures of Masculinity |
| Author(s): | Willis, Sharon |
| Source: | pp. 279-95 IN: Gledhill, Christine (ed.); Williams, Linda (ed.); Reinventing Film Studies. London, England; New York, NY: Arnold; Oxford UP; 2001. (xvi, 464 pp.) |
This book chapter examines the masculine styles and posturing in Tarantino's films. Because Tarantino has created a world of characters who are violent, sensitive, and cool, this investigation into the types of men in Tarantino's work serves as an overview work for this topic.
| Title: | American Culture X: Identity, Homosexuality, and the Search for a New American Hero |
| Author(s): | Brandt, Stefan |
| Source: | pp. 67-93 IN: West, Russell (ed.); Lay, Frank (ed.); Subverting Masculinity: Hegemonic and Alternative Versions of Masculinity in Contemporary Culture. Amsterdam, Netherlands: Rodopi; 2000. (267 pp.) |
TARANTINO'S INCARNATIONAL THEOLOGY. By: Brintnall, Kent L.. Cross Currents, Spring2004, Vol. 54 Issue 1, p66, 10p-75; (AN 13437881)
The article explores the ethical and erotic dimensions of physical brutality against the male body as they appear in theological discourses and cinematic texts, specially in the motion picture Reservoir Dogs, directed by Quentin Tarantino

