from Martin Dahren
to ANS-L@listserv.binghamton.edu
date Mon, Jul 7, 2008 at 8:27 AM
subject Re: Query: Origin of Armenian surnames
Try the article "Das Armenische Personennamensystem" in "Europäische Personennamensysteme: Ein Handbuch von Abasisch bis Zentralladinisch", ed. by A. & S. Brendler (Hamburg 2007), pp. 57-66. It includes on p. 64-65 a topical bibliography that lists all serious publications on the subjects incl. etymological dictionaries of Armenian surnames.
I have no access to the book at the moment, so I cannot give you any more details. I analyzed the book recently. It is a real treasure systematically dealing with the personal names of 77 languages in today's Europe.
Martin Dahren
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http://www.amazon.de/Europ%C3%A4ische-Personennamensysteme-Handbuch-Abasisch-Zentralladinisch/dp/3935536658
145 EUROS
Call#: Van Pelt Library JN94.A95 H69 1998
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The book also has relevance to the film in its analysis of the immutability of the bureaucratic system, Jacoby writes, “the attempt on the part of democratic movements to break out of this bureaucratic closed sphere always ends by leading back into it;” evidence of this comes from both the women who are unable to make any progress in fixing the cesspool in their neighborhood and Kimura, who rises in an attempt to follow Watanabe’s example, but ends up right back at his desk where he started.
A possible explanation for the two-part structure of the films if that, as a bureaucratic, “the individual must […] undertake an essential schism within himself.” Jacoby is saying that the bureaucrat must make a distinction between the ‘bureaucratic’ self and the ‘social’ self, which is what Watanabe has been unable to do. The two selves are one and the same in Watanabe, and when he separates the two, by deciding to do something about the cesspool (which is in contrast to what his ‘bureaucratic’ self would do), the film separates in two. Now this might be inferring too much, but the text does offer many insights into the film that none of the other authors have made. While the book deals neither with cinema nor Ikiru, it provides an understanding of the process of bureaucratization and the bureaucratic system that allows for applications to the film. By applying these concepts and theories to the film, one comes away with a unique understanding of the film.


