Flint, Peter B. "Alfred Hitchcock Dies; a Master of Suspense." New York Times 30 Apr. 1980. 7 Apr. 2008 .
This is the actual obituary published by the NY Times following Alfred Hitchcock's death in 1980. Although the article offers no more than a few brief comments about North by Northwest, it talks about many stylistic elements in the film which were hallmarks of Hitchcock's innovative approach. For example, one of the more prominent features of classic Hitchcock style is the emphasis on montage and dramatic imagery over dialogue in developing the story. This article mentions examples of this including North by Northwest's crop-dusting scene in which Cary Grant tries to evade a bullet-firing low-flying aircraft. It was clear that Hitchcock controlled a certain mastery of the camera. The scene, which begins with Grant is waiting for the elusive Kaplan along a long a dusty road in Northern Indiana, effectively demonstrates the suspense that can be achieved using wide shots and apparent isolation. The camera cuts frequently between shots of Grant looking down the expansive road in both directions and extended shots of the never-ending road. Hardly a word needs to be spoken in this scene for the audience to understand the character's frustration and fear.
Speaking of Hitchcock's style as a whole, the article acclaims his "virtuosity in creating a rhythm of anticipation with understated, sinister overtones, innovative pictorial nuance and montage... and revealing cross-cutting of objective shots with subjective views of a scene from an actor's perspective." This style is apparent throughout the film, but its power is best seen before and during the crop-dusting sequence and also in the fight on the faces of Mount Rushmore. Furthermore, Hitchcock oftens breaks from established convention in order to convey his message. For example, on the empty highway Hitchcock repeatedly breaks the 180-degree rule in order to display the surroundings and prove Thornhill's complete isolation from others. The works Hitchcock created are not only a great piece of cinematic history in their own right, but also in the lasting impact they have imparted on other filmmakers and their works. Hitchcock's legacy in film is a natural byproduct of his unique style over many great films during his lengthy career.


