. Modern esoteric spirituality / edited by Antoine Faivre and Jacob Needleman ; associate editor, Karen Voss. 082451145X series New York : Crossroad, 1992.
Call#: Van Pelt Library BL624 .M63 1992
Call#: Van Pelt Library BL624 .M63 1992
Morley, David, 1949- .Media, modernity and technology : the geography of the new / David Morley. [0415333415 (hbk. : alk. paper) ] London ; New York : Routledge, 2007.
Call#: Van Pelt Library P94.6 .M673 2007
Call#: Van Pelt Library P94.6 .M673 2007
Part Five of David Morley’s book examines the idea of “Techno-anthropology,” or the symbolic meanings of objects in our contemporary world. Morley uses the television as a main example of a modern technology that has come to hold much cultural signification on our everyday lives, and thus devotes a section of his book to explaining how exactly it fits into the world today. He suggests that the television has become somewhat synonymous with home or comfort; though initially a foreign object, it has since redefined the private space and come to hold a more or less sacred place in home culture. Though much of Morley’s discussion here has to do with television in and of itself, he makes a number of points about television that can then be used to discuss its relationship with new media. Also, this chapter points out that the symbolism and meaning of television has changed over time. I’m not sure how to incorporate this into my paper, or if I even need to do so – but I feel that to overlook it might be a mistake. In any case, it should at least be mentioned somewhat, if only to show the evolution of television as compared to new media.
Morley then turns to examining newer media technologies, with the purpose of refuting the concept that with new media comes new social and cultural uses for that media. He argues that while technologies like cell phones and computers do bring with them new ways of consumption, their arrival does not signal the death of traditional social rituals. Living traditions tend to incorporate new technologies rather than become obsolete in the face of media development. This fits with Michele White’s ideas on spectatorship, thus providing a non-traditional viewpoint to help me balance my paper.
That this book focuses very little on a viewer’s actual engagement with the screen prevents this source from becoming a major on for my paper. However, I do think that some of the ideas present here and Morley’s background on the evolution of these technologies can give me some good basic background information, as a foundation for my arguments.
Morley then turns to examining newer media technologies, with the purpose of refuting the concept that with new media comes new social and cultural uses for that media. He argues that while technologies like cell phones and computers do bring with them new ways of consumption, their arrival does not signal the death of traditional social rituals. Living traditions tend to incorporate new technologies rather than become obsolete in the face of media development. This fits with Michele White’s ideas on spectatorship, thus providing a non-traditional viewpoint to help me balance my paper.
That this book focuses very little on a viewer’s actual engagement with the screen prevents this source from becoming a major on for my paper. However, I do think that some of the ideas present here and Morley’s background on the evolution of these technologies can give me some good basic background information, as a foundation for my arguments.
belongs to The Relationship Between Audience Engagement with Screens in Both Old and New Media project
tagged Cell_Phone New_Media Modernity Media Computer Social_Ritual Television Technology Techno-anthropology Symbolism
by knewbold
...on 13-MAR-07
Chakrabarty, Dipesh. . Provincializing Europe : postcolonial thought and historical difference / Dipesh Chakrabarty. [0691049084 (alk. paper) ] Princeton, N.J. : Princeton University Press, c2000.
Call#: Van Pelt Library D13.5.E85 C43 2000
Call#: Van Pelt Library D13.5.E85 C43 2000
many of the institutions and ideas associated with modernity were linked to colonial modes of knowledge production and strucutres of power
Lastra, James.. Sound technology and the American cinema : perception, representation, modernity / James Lastra. [0231115164 (cloth : alk. paper)] New York : Columbia University Press, c2000.
Call#: Van Pelt Library PN1995.7 .L37 2000
Call#: Van Pelt Library PN1995.7 .L37 2000
James Lastra situates the development of sound technology within the context of modernity with special attention paid to the relation of sound to other representational technologies such as photography and phonography. The book attempts to trace the exchanges and shifting relationships between human senses, technologies, and forms of representation (i.e., senses shaped technology development and those devices shaped our sensory experiences). The first couple chapters are a more general account of the material history of sound technology as both a means of simulating the sensory capacities of the ear and as a means of "writing" sound. The remaining chapters are nominally about the cinema beginning with the coming of sound and moving through the classical Hollywood system. Overall, Lastra's book is indebted to cultural theorists of modernity (Benjamin, Comolli, Adorno) which is not surpising as Lastra teaches at Chicago along with other modernity film scholars Tom Gunning and Miriam Hansen. The book has many strengths including giving ample attention to the practices and theories of early film sound technicians and engineers (and not just academic theorists), but suffers a bit from lack of attention to actual films themselves. Chapters 5 & 6 claim to examine the relationship between sound aesthetics, technology and film form, but while attention is paid to various sound technologies and ideas of "realism" there is little attention paid to demonstrating their effect on the form of actual films. Still, it is a well written and interesting book that will be especially useful for those interested in modernity, technology and theories of representation.
belongs to Horror film and Sound project
tagged coming_of_sound film_history film_industry modernity technology
by jfiumara
...and 1 other person
...on 30-APR-06


