Urban Studies | Parking
Car Choreography
By BEN GIBBERD
AT 8:30 on a recent morning, a line of cars snaked into the J & L Parking lot on Pacific Street in Boerum Hill, Brooklyn. There to greet them, as always, was the lot's manager, John Trombino, a substantial figure with a jet-black mane.
Like many lots, J & L accommodates "dailies" - commuters who arrive and depart at rush hour - and "monthlies," locals who generally use their cars only in the evenings or on weekends. The dailies occupy the inner two rows of the lot, firmly blocking in the two outer rows of monthlies.
In an ideal world these two tribes would coexist without intervention, but this being New York, emergencies arise: monthlies need to leave in the middle of the day; dailies stay later than planned. Further complicating matters, Mr. Trombino heads off for the day at 10 a.m. to help his father in another lot nearby. Fortunately, this is where the gift of his automotive choreography comes into play.


