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Curb Job
By PETE HAMILL
Taxi drivers are the most enduring oppressed minority in New York City history. Race, ethnicity and religion are not sources of the oppression. It lies entirely in the nature of the work. Trapped for about 12 hours each day in the worst traffic in the United States, taxi drivers must suffer the savage frustrations of jammed streets, double-parked cars, immense trucks, drivers from New Jersey - and they can't succumb to the explosive therapy of road rage. Their living depends on self-control.
At the same time, they face many other hazards: drunks behind them in the cab, fare beaters, stickup men, Knicks fans filled with biblical despair, out-of-town conventioneers who think the drivers are mobile pimps. Some seal themselves off from the back seat with the radio, an iPod or a cellphone. All pray that the next passenger doesn't want to go from Midtown to the far reaches of Brooklyn or Queens. They hope for a decent tip. They hope to stay alive until the next fare waves from under a midnight streetlamp.
In this informative, solid history, Graham Russell Gao Hodges traces the story of the cabdrivers from 1907, when the first metered taxis appeared on New York streets, to the present. He writes with obvious sympathy, having driven a hack himself before moving on to academic labors as a historian at Peking University and Colgate. Loneliness is a running theme in "Taxi!": if the title were not already taken, Hodges could have called his compact history "One Hundred Years of Solitude.
Architecture
Rehabilitating Robert Moses
By ROBIN POGREBIN
FOR three decades his image has been frozen in time. The bulldozing bully who callously displaced thousands of New Yorkers in the name of urban renewal. The public-works kingpin who championed highways as he starved mass transit. And yes, the visionary idealist who gave New York Lincoln Center and Jones Beach, along with parks, roads, playgrounds and public pools.
This is the Robert Moses most of us know today, courtesy of Robert A. Caro's Pulitzer Prize-winning biography from 1974, "The Power Broker," which charts Moses' long reign as city parks commissioner (1934-60) and chairman of the Triborough Bridge and Tunnel Authority (1946-68). A 1,286-page book that reads like a novel, it won a Pulitzer Prize and virtually redefined the biographical genre by raising the bar for contemporary research. Today it remains the premier text on the evolution of 20th-century New York, a portrait of a man who used his power without regard for the human toll.