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Zorzi, Alvise. Venice: The Golden Age, 697-1797. Trans. Nicoletta Simborowski and Simon Mackenzie. New York: Abbeville Press, 1980.
Zorzi gives a vivid account of the rise of the Venetian Empire and its eleven-hundred year ‘Golden Age,’ using historical quotations, pictures, diagrams, etc. He traces the history of Venice, from its beginnings as a refuge for Romans, escaping from the barbarians that destroyed their Empire, to its own imperial dominance and mastery of overseas trade. Venice has an almost mythic quality to it, which it why Daphne du Maurier chose to set her short story, Don’t Look Now, in Venice. Zorzi writes of Venice’s beginnings, “Tradition and legend […] surrounds the founding of Venice in a mythology which is almost reminiscent of the Biblical account of the origins of the world” (10). The mysterious quality of the city makes it a perfect setting for Don’t Look Now, which toys with reality and makes us question our historical vision. Zorzi explains that Venice was seen as an “overbearing entity, which aroused hatred suspicion, worry and fear” (7). He describes Venice as an ominous figure, menacing those around it. Roeg captures this negative character of Venice in the film, making the city complicit in the death of John Baxter.
Zorzi explains that the Venetians were “descendants of the Romans that had opted for the freedom of the seas and lagoons rather than bend to the will of barbarian monarchs” (68). Venice is described as a safe-haven, a place for people to escape to (from the crumbling Roman Empire). Don’t Look Now captures this aspect of Venice, because John and Laura are refugees in a way. They are attempting to escape from their pain and sorrow over the death of their daughter by ‘escaping’ to Venice.
Understanding the history of Venice also illuminates certain moments of dialogue in the film. For example, when John says, “The deeper I go, the more Byzantine it gets,” he is referring both to the difficulties that arise as his renovation of the church progresses and the fact that Venice was built by Byzantines (i.e. citizens of the Roman Empire). The devotion of the police officers is also better understood, because, “An extremely strong sense of justice permeates Venetian civilization right from its beginnings” (137)...
Zorzi gives a vivid account of the rise of the Venetian Empire and its eleven-hundred year ‘Golden Age,’ using historical quotations, pictures, diagrams, etc. He traces the history of Venice, from its beginnings as a refuge for Romans, escaping from the barbarians that destroyed their Empire, to its own imperial dominance and mastery of overseas trade. Venice has an almost mythic quality to it, which it why Daphne du Maurier chose to set her short story, Don’t Look Now, in Venice. Zorzi writes of Venice’s beginnings, “Tradition and legend […] surrounds the founding of Venice in a mythology which is almost reminiscent of the Biblical account of the origins of the world” (10). The mysterious quality of the city makes it a perfect setting for Don’t Look Now, which toys with reality and makes us question our historical vision. Zorzi explains that Venice was seen as an “overbearing entity, which aroused hatred suspicion, worry and fear” (7). He describes Venice as an ominous figure, menacing those around it. Roeg captures this negative character of Venice in the film, making the city complicit in the death of John Baxter.
Zorzi explains that the Venetians were “descendants of the Romans that had opted for the freedom of the seas and lagoons rather than bend to the will of barbarian monarchs” (68). Venice is described as a safe-haven, a place for people to escape to (from the crumbling Roman Empire). Don’t Look Now captures this aspect of Venice, because John and Laura are refugees in a way. They are attempting to escape from their pain and sorrow over the death of their daughter by ‘escaping’ to Venice.
Understanding the history of Venice also illuminates certain moments of dialogue in the film. For example, when John says, “The deeper I go, the more Byzantine it gets,” he is referring both to the difficulties that arise as his renovation of the church progresses and the fact that Venice was built by Byzantines (i.e. citizens of the Roman Empire). The devotion of the police officers is also better understood, because, “An extremely strong sense of justice permeates Venetian civilization right from its beginnings” (137)...
belongs to Don't Look Now (1973) project
tagged Italy Romans Venice city_state history islands lagoon merchant_fleet trade
by dhm
...on 06-APR-06