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This book looks at the career life of Marilyn Monroe and in the process goes through each movie she has appeared in.  For each movie Conway provides a basic summary of the plot and an excerpt speaking of the publics’ reaction to the film.  The most valuable information contained in this source is the snapshot reviews of how critics’ responded to the each of Marilyn Monroe’s films during the time when they were released.  Reading short excerpts from different reviews gives a bit of a diversified picture of the publics’ response to the movie during its day and age.  This perspective is invaluable information when looking to understand the movies time period cues and appreciate how the film was viewed during a different time in American culture.

            The section focused on in this book was the few pages which concerned Marilyn Monroe’s role in Billy Wilder’s movie, Some Like it Hot.  This section provides a short strictly factual summary of the occurrences in this “twisted” plot, and then gives portions of 1959 critics to this film.  The three critics A.H. Weiler of the New York Times, Hift from Variety, and Archer Winsten from the New York Post, collectively help to paint a picture of where the epicenter of the movies success stemmed from, and this was the cast.  These excerpt reviews all celebrate Marilyn Monroe as both a sex icon and a skilled comedian whose amazingly believable performance as Sugar made the characters more accessible despite the surreal plot. The songs she sings and provocative costumes she wears accentuate her natural sex appeal, and yet despite this mature body Marilyn is a convincing innocent young girl looking for love.

            This source has cited references from dozens of literary reviews and is very direct and factual in its attempt to summarize movies as well as Marilyn’s life.  Therefore I would consider this source to be of value when researching any of Marilyn’s movies or her life in general.

Primarily focuses on different kinds of heroes in our culture, such as from movies and sports. Discusses the cultural unconscious relating to movie-watching. Drives at the pop star as an icon - the imitation and glorification of characters.