-from Highwire Press
(American Volume)
Holdings: 1889-
-from CSA Databases
Indexing with abstracts for scholarly and professional journal literature in social work, human services, social welfare, social policy, and community development. Major areas of coverage include: crisis intervention, evaluation research, family welfare, gerontology, policy, planning, and forecasting, poverty and homelessness, social development, support groups and support networks, violence, abuse, and neglect, and welfare services, as well as professional issues and education in social work. Includes: Social Planning/Policy & Development Abstracts, SOPODA.
Holdings: 1979-present. Updates monthly
Covers social work and other related topics such as homelessness, AIDS, child and family welfare, aging, substance abuse, legislation, community organization, and more.
Holdings: 1977 to present. Updated semi-annually.
-from CSA Databases
The American Psychological Association's comprehensive indexing and abstracting service for the professional and scholarly literature in psychology and related fields. Coverage is worldwide. Sources are in English and over thirty languages.
Holdings: 1887 to the present. Updated monthly.
Bibliographic citations with abstracts describing scholarly literature in all aspects of urban studies. Topics include trends in urbanization, urban history, architecture and urban design, housing and real estate, urban development and redevelopment, urban planning and land use, environment and resource conservation, transporation and communication, crime and law enforcement, urban economics, social services and public services, politics and government, urban fiscal and budgetary policy, and social issues.
Holdings: 1973-present.
the most comprehensive coverage of research, policy, and practice literature in the fields of Family Science, Human Ecology, Human Development, and Social Welfare. FSSW covers popular issues and meets the requirements of professionals in all fields of social work, social science and family practice. FSSW is an anthology of four database files providing access to more than 1,182,000 records.
Holdings: 1970-present.
-from Journals@OVID Full Text
Holdings: 1998-
-from EBSCO MegaFILE
Holdings: Mar 1998-
-from JSTOR
continues Transactions and Proceedings of the Modern Language Association of America (1886-1887)
Holdings: 1889-2001
-from publisher website
Holdings: 2002-
-from Project Muse
Holdings: 1998-
-from JSTOR
Holdings: 1983-
-from University of California Press
Holdings: 2001-
Call#: Van Pelt Library Microfiche 966
Allgemeine deutsche Bibliothek 40 (1780) (Baumann German Opera)
http://de.wikisource.org/wiki/Allgemeine_deutsche_Bibliothek_%28Musikartikel%29 Index to music articles!
-from Project Muse
Holdings: 1999-
-from Project Muse
Focuses on interpretation and theory.
Holdings: 1995-
-from Project Muse
Holdings: 1985-
-from Literature Online Full-Text Journals
Holdings: 2002-
-from JSTOR
NOTE: Recent issues of this title (for the years 1995-2005) contain links to articles available through other online resources.
Holdings: 1934-
-from Literature Online Full-Text Journals
Holdings: 2002-
-from JSTOR
Holdings: 1974-2002
-from University of Chicago Press
Holdings: 2002-
-from Hein Online
1991-
-from Project Muse
Holdings: 2001-
-from Duke University Press Journals
Holdings: 1993-
-from Sage Full-Text Collections
Holdings: 1987-
-from JSTOR
continued by Law and Literature
Holdings: 1989-
-from Hein Online
1991-
-from JSTOR
continues Cardozo Studies in Law and Literature
Holdings: 2002-
Two concepts that provide new directions for public policy, environmental justice and sustainability, are both highly contested. Each has tremendous potential to effect long-lasting change. Despite the historically different origins of these two concepts and their attendant movements, there exists an area of theoretical compatibility between them. This conceptual overlap is a critical nexus for a broad social movement to create livable, sustainable communities for all people in the future. The goal of this articleis to illustrate the nexus in the United States. The authors do this by presenting a range of local or regionally based practical models in five areas of common concern to both environmental justice and sustainability: land use planning, solid waste, toxic chemical use, residential energy use, and transportation. These models address both environmental justice principles while working toward greater sustainability in urbanized areas.
tagged article community development journal justice social sustainability by dkarp ...on 25-AUG-09
First Monday
"...one of the first openly accessible, peer–reviewed journals on the Internet, solely devoted to the Internet...First Monday is indexed in Communication Abstracts, Computer & Communications Security Abstracts, DoIS, eGranary Digital Library, INSPEC, Information Science & Technology Abstracts, LISA, PAIS, and other services."
tagged it journal by nancybe ...and 3 other people ...on 04-MAR-09
This article starts out with an excellent Introductory Note, in which Vladimir Pozner calls Vigo a rebel, and notes that “he used the camera as a weapon, not an anesthetic.” The article by Kracauer starts out with brief summaries of Vigo’s four films, and then discusses Vigo’s “relation to the screen.” The author makes note of Vigo’s indiscriminate treatment of humyns as related to objects when filmed, particularly in the mise-en-scene of “Atalante.” In this film, Vigo not only uses objects as “silent accomplices of our thoughts and feelings,” but also as a way to ponder the situations where their psychological “influence predominates.” Kracauer makes a brilliant observation that “since increasing intellectual awareness tends to reduce the power of objects over the mind, he logically chooses people who are deeply rooted in the material world” for leading roles. On “Zéro de Conduite,” Kracauer makes a few close-reading analyses, particularly about ways in which Vigo can communicate the feeling of isolation using placement of objects. He also observes that objects “participate in childish play.” Essentially, he argues that the role of the objects in his film was satire.
This article presents a unique micro-perspective on the role of objects in Vigo’s film. It is especially valuable to my thesis because it notes how objects are used for satire, as a method of subversion. Sometimes, objects are also used in combination with mise-en-scene to give off feelings such as isolation, which is especially important because it focuses on the more individual character psychology, something my thesis leaves out but can surely benefit from, by paralleling the isolation of children in school to the institutional oppression of school which indoctrinates children to be competitive, angry, and ultimately anti-social.
full citation: Kracauer, Siegfried; Melnitz, William; Pozner, Vladimir. "Jean Vigo." Hollywood Quarterly. Vol. 2, No. 3 (Apr., 1947). 261-263. University of California Press. <http://www.jstor.org/stable/1209412>.
tagged journal mise_en_scene objects review satire vigo by anic ...on 03-DEC-08
Fritzsche, Peter. "Nazi Modern." Modernism/Modernity 3.11996 1-22. 1 Dec 2008 .
The Nazis came to power because of the hopelessness of the German people due to the disastrous condition in which Germany was left following WWI. The people were not happy to see the Nazis in particular; they accepted them because they needed a change. The main goal of the Nazis was to exterminate the Jewish people, yet most Germans did not agree with this agenda. The Nazis embraced technology and made Germany’s economy more industrialized and more technologically advanced. Because of this some people, oversimplify the Nazis’ impact on Germany and say that they were modernizers. The more complex view argues that Nazis were modernists. As modernists, the Nazis sought racial purification in an attempt to unify and strengthen the German society so that it would be “strong and homogeneous enough to prosper in the dangerous era of world wars” (Fritzsche). This racial purification in conjunction with increased social programs were measures to promote national health and were seen as modern ways to better German society. In theory, these practices could have made German society very strong and unified, but these apparent benefits do not justify the mass murders that were made necessary to carry out the racial purification. This racial purification, ultimately, destroyed German society because the wrath of the world for the murderous injustices Germany was committing.
The initial background for the argument of this article is that the people were never won over by the Nazis. This information offers a new perspective. This lack of all out support by the people may be the reason that Goebbels and the Nazis were so concerned with maintaining public support. If their support was a given, surely Goebbels would not have spent so many resources on propaganda like Kolberg. The overarching goals of the Nazis for unity also explain why the public's consensus with the goals of the Nazi Party was so desirable. In creating a unified German society, surely the Nazis not only wanted unification with race and appearance, but unification with the thoughts and minds of the German people. The Nazis felt that this unification was key to strength in this dangerous world. The Nazis' great desire to attain strength for the German society is explained by the way Germany was left crushed following WWI. Overall, the desire for the unification of German society explains why such a high value was placed on propaganda and therefore, film, its most important medium.
tagged germany journal modernism nazi nazism philosophy principles racial_purification unification by lcuzz ...on 02-DEC-08
An academic journal from Columbia University, this source is the first on the list to fully support the other side of the argument between song samplers and those being sampled. McGiverin begins the journal by arguing for the musician’s rights to be compensated for any and all portions of his work that are reproduced in another work. He then goes on to divide his work into three main portions: the first of which describes sampling and its implications in the music industry, the second applies the 1976 Copyright Act to sampling from phonorecords, and finally the third investigates state common law and rights of publicity in terms of musicians’ control over their original work.
A source of this nature is essential for any paper analyzing the issue of sampling in the music industry, seeing as it provides the exact counter-argument of a few of the sources found. McGiverin continues to refer to an artist’s sampled work as his or her “auditory identity,” giving great importance to the underlying bass lines and riffs that make up the background of a performance. In doing so, he asserts the value of these otherwise-overlooked aspects of a work. Seeing that they are often the portion involved in the sampling, they should be given greater significance and, as McGiverin believes, the original artist should be compensated for their use.
As mentioned above, this source is arguably the most important, simply because of the point of view that it represents. Although this paper has been unbiased in theory, the majority of the sources were all either neutral or in support of one side of the argument. By providing an intelligent and fresh insight into this half of the issue, this source is one of a few to complete the perspective in order to find a well-informed answer to the question concerning the limits and merits of digital sampling in the music industry.
tagged 1976 columbia_university copyright copyright_act digital_sampling journal music music_industry phonorecords sampling state_common_law by minglet ...on 25-NOV-08
Call#: Van Pelt Library Microfilm news 409
16 Dec 1792 - Philidor ad
1801 - Robertson ads
Call#: Van Pelt Library Microfiche 966
phantasmagoria 1803
Call#: Van Pelt Library ML5 .B451
Creation:
1805 Erster [I] Jahrgang, Nro. 2 p.5-8.
1805 Erster [I] Jahrgang, Nro. 37 p.147-48.
1805 Erster [I] Jahrgang, Nro. 38 p.151-52.
1806 Zweiter [II] Jahrgang, Nro. 6 p.23-24.
1806 Zweiter [II] Jahrgang, Nro. 29 p.116.
1806 Zweiter [II] Jahrgang, Nro. 43 p.172.
Journal of Transport and Land Use The Journal of Transport and Land Use (JTLU) is a free, open-access, and peer-reviewed publication that welcomes articles on topics at the interdisciplinary intersection of transport and land use, including research from the domains of engineering, planning, modeling, behavior, economics, geography, regional science, sociology, architecture and design, network science, and complex systems.
Call#: Rare Bk & Ms Library RBC Q1 .P5
"Galvanism" 14 (1802): 364-68.
Call#: Van Pelt Library Marian Anderson Music Study Center Music Microfilm 902 Reel 34
| Title: | Sociology and social research. |
|---|---|
| Publisher: | Los Angeles : University of Southern California, 1927-1992. |
| Description: | Entry Not Found |
| 65 v. : ill. ; 22-24 cm. | |
| Formed by the union of: | Journal of applied sociology |
| Bulletin of social research | |
| LC Subject(s): | Sociology --Periodicals. |
| Social problems --Periodicals. | |
| Social service --Periodicals. | |
|
|
|
| td { font-family: Arial,sans-serif; }Location: | Van Pelt Library |
| Call Number: | HM1 .S75 |
| Library Has: | v.12 (1927)-v.76 (1991/1992) |
| Notes: | Not currently received. |
-from ScienceDirect
Holdings: 1993-
tagged journal online_film_distribution piracy tpb by djaime ...and 1 other person ...on 15-APR-08
tagged cine_500 dmca drm journal online_film_distribution by djaime ...and 1 other person ...on 15-APR-08
-from Highwire Press - American Psychiatric Publishing, Inc.
Holdings: 1997-
Author Fred von Lohmann discusses the role of the 'gatekepers' (such as exhibitors, insurers, distributors, and broadcasters) when filmmakers may have to clear copyright uses in their own works. While fair use is supposed to protect the transformative uses of copyrighted materials, many gatekeepers and large broadcasters and studios are failing to honor the principles of fair use. Instead, we are seeing more of what von Lohmann calls a 'clearance culture' in which full expression is stifled at the hands of media gatekeepers. The content controllers are requiring clearances for every instance of copyrighted material in films, even if it falls under fair use. This is causing many films either to be abondoned during production or distribution or for filmmakers budgets to be severely drained by obtaining clearances.
The rise of internet distribution offers new outlets for filmmakers who can not afford the traditional methods of distribution. von Lohmann identifies two distribution options: video hosting sites such as YouTube or Yahoo Video that can get your film to an audience for free and immediately, as well as by purchasing bandwidth from an ISP and running your film online via a filmmakers' own server.
Internet gatekeepers such as a YouTube or an ISP are more lax than traditional ones due to the safe harbor provisions of the DMCA. In the case of online video content sites, they use a 'notice and takedown' policy to enforce copyright infringement violations. In order for a video hosting site to be free from monetary damages incurred through a copyright infringing video posted by a site user, the host must issue notice to the user that the content requires them to takedown their video, followed by a 'counternotice' option for the user's benefit in the event that a user wants to challenge the takedown. So long as the site removes the copyrighted content in a timely manner and follows this procedure, they will remain exempt from prosecution.
If a filmmaker decides to host his own video by buying a service from an ISP, a similar safe harbor under the DMCA protects the ISP's from any possibly copyright lawsuit. Under this provision, ISP's are not required to follow the 'notice and takedown, counternotice' steps as outlined above. They are viewed as only the 'pipe' in providing access, not an entity that can enforce the content present on computers owned by others and therefore out of its control. As in video content sites, ISP's do not act as middlemen in any copyright lawsuits, therefore leaving the filmmakers or other users to work out their own disputes with copyright owners directly.
von Lohmann argues that these new distribution tools represent a new creative freedom or at least, should ensure new creative freedoms in the future. Under these new options, filmmakers' work can reach the proper audiences first - unlike in traditional media distribution in which work must pass through insurers and lawyers first.Call#: Van Pelt Library HD7333.A3 B797
-from ScienceDirect
Continued as Journal of Memory and Language
Holdings: 1962-1984
-from Cambridge Journals
Holdings: 1997-
The Journal is open access. Articles accepted and published in the Journal will be free to read for anyone with internet access. This increases the visibility of scientific communication, both to other researchers and to the public at large. The research will not be held captive by for-profit publishers or buried in stacks of university libraries. All papers accepted for publication will be licensed under Creative Commons Attribution-NonCommercial License 3.0 .
The Journal is free to publish in. Unlike some open access journals, there are no fees for publishing in the journal. The Journal is operated on a volunteer basis with some institutional support from the Center for Transportation Studies at the University of Minnesota. The costs are reduced as there is no paper version of the Journal, which is online-only.
The Journal is peer-reviewed. All scientific articles are reviewed by other researchers in the field for their scientific merit on questions of transport and land use (including originality, accuracy, relevance, importance, and transparency - including comprendibility and reproducability). Reviews, Opinion, and Commentary are reviewed by the editors.
JSTOR specializes in making available the back issues of journals in a wide variety of humanities and social science disciplines. Issues are available both as images and as text, making searching possible both within each title and across the whole database.
Penn's subscription currently includes all the available collections:
- the Arts & Sciences Collection I, II, III, IV and the complement
- the Business Collection
- the Ecology & Botany Collection
- the General Science Collection
- the Language and Literature Collection
- the Music Collection
Access to journals from JSTOR is restricted to current Penn faculty, staff and students.
Printing from the JSTOR database requires downloading a helper application called JPrint.
Holdings: active
-from Wiley InterScience
Holdings: 1996-
-from ScienceDirect
Holdings: 1993-
-from Nature Publishing
Holdings: 1950-
-from Highwire Press - American Association for the Advancement of Science
Selected papers from Science show up sooner in Science Express. Free access to Science Express papers is available to individual AAAS members, but not to institutional subscribers of Science. (Contact science-feedback@highwire.stanford.edu if you wish to show your support in changing this AAAS policy.)
Holdings: 1996-
-from EBSCO MegaFILE
Holdings: 2002-
-from EBSCO MegaFILE
Holdings: Mar 1987-
-from EBSCO MegaFILE
Holdings: Jan 2002-
-from EBSCO MegaFILE
Holdings: Mar 1987-
-from EBSCO MegaFILE
Holdings: Mar 1998-
-from EBSCO MegaFILE
Holdings: Jan 2002-
tagged assigned journal molecular_biology work_related by mcmillea ...on 23-FEB-06


