Kembrew MacLeod takes a decidedly anti-corporate stance in Freedom of Expression, as he details the effects conglomeratization and more stringent laws have had on creative industries such as music, film and other art forms. MacLeod believes that these laws cause the creators of culture to self-censor in order to prevent legal action, and that as more laws are created (such as the DMCA) more self-censorship will occur. According to MacLeod, this increasingly hostile environment then pits "Intellectual Property" against "Freedom of Expression." MacLeod feels that both IP and free expression can co-exist, but not in the current legal climate.

In this article for Wired Magazine, Larry Lessig offers an overview of some of the troubles causes by over-protective copyright laws. As an example, Lessig tries to license the song "Happy Birthday" for recording and distribution, in honor of the first “birthday” of the Free Culture Movement. In order to obtain the rights to the song, Lessig must navigate through a web of nonresposive organizations and exorbitant fees. In the end, Lessig does not obtain the ability to record the song at all, revealing the weakness and confusion that are present in the current copyright system.

This book explores the historical and legal frameworks governing intellectual property law. Moreover, this book describes how these assumptions and frameworks have been completely changed by the introduction of the internet and other media like DVDs and CDs. Various theoretical arguments, both for minimizing and maximizing IP protection, are explored in the context of current issues like webcasting and the legal definition of trespass in cyberspace. These practical applications help illuminate the complicated nature of IP in an increasingly digital world.

In this article from the Journal of Intellectual Property Law Lydia Loren denounces the second-class status that fair use has been given in the realm of copyright law. Loren is frustrated by the court’s routine emphasis on monetary and market-driven issues, often the deciding factors in fair use cases. Loren feels these rulign shortchange the purpose of fair use claims by not considering the external benefits that fair use would provide in some cases. According to Loren, the chief deciding factor in ruling on fair use claims should be to see if these claims further knowledge and learning.

In Who Owns Culture? Susan Scafidi navigates the unstable relationship between cultural creation and legal protection of cultural works. Scafidi is particularly interested in the notion of individual creation. The book highlights how American law privileges individual creation over group or communal works. In this book, the basics behind cultural commoditization, ownership and commercialization are explored, as well as the uneven legal framework that governs cultural products.