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For almost all of human existence, people have had some knowledge of those with whom they had social contact and ties with. Clapp argues the city changed that condition, and, as cities became larger and more socially heterogeneous, the number of people who were strangers and alien to one another increased exponentially. To the author, Travis Bickle’s menacing demeanor in Taxi Driver has become the “face” for the culture of urban alienation and an abstraction of the anonymity, loneliness, social disengagement, and moral detachment for which the big city is regarded as the prime cause of.
Although the article does not specifically focus on Taxi Driver in particular, its perspective gives the audience a vehicle through which they could partially sympathize for Travis Bickle and better understand his character. From the sociological viewpoint of the author, Travis is likely emotionally damaged from his Vietnam experience and is lonely, bitter, and extremely alienated from society. When we first come across Travis on the screen or in the streets, he seems suspended somewhere between our pity and our revulsion. After reading this article, one can not help but think that maybe the daunting metropolis is to blame for Travis’ severe alienation from society and that he is just another lost and helpless lonely soul searching for an answer or a solution. For Clapp, Travis Bickle’s line “well, I’m the only one here”, which is his personal response in the mirror to the more famous line “Are you talking to me?”, sums up his alienation and estranged madness.
This article basically talks about Martin Scorsese and his portrayal and direction of New York City on film. Not limiting itself to just Taxi Driver, the article discusses a number of Martin Scorsese movies which are all based in New York City, such as: the aforementioned Taxi Driver (1976), New York New York (1977), Raging Bull (1980), After Hours (1985), New York Stories (1989), Goodfellas (1990), and The Age of Innocence (1993). Through his cinematic brilliance, Martin Scorsese effectively captures the relentless energy and the bold grittiness of the city, making him the archetypal New York City director.
According to the author, Scorsese is the master of the big city movie and his vision in presenting New York to people all over the world is unparalleled. The author also points out that Scorsese has appeared in most of his films, including Taxi Driver, in which he plays one of Travis Bickle’s passengers who wants to shoot his wife with a .44 magnum.
Although this article does not specifically mention Taxi Driver with great detail, it brings attention to an otherwise overlooked element of the film: Scorsese’s use of New York City as the setting for Taxi Driver functions as an unnoticed, albeit essential supporting role in the movie. If it could, the setting of the film should get its own credit in the cast of characters for Taxi Driver. The movie would not be the same if it wasn’t filmed in New York, for the city enhances Taxi Driver’s dark and murky atmosphere and provides the perfect backdrop for Travis Bickle’s loneliness and alienation. Starting with the opening hazy shot of a steaming sewer underneath a yellow checkered cab to scenes of porno theaters, looting junkies, and corrupt pimps, and even if the movie did not mention the city at all, any average viewer would recognize that the film had to be made in New York City just by the ambiance and vibe it projects, which Scorsese manages to luminously and cleverly capture for the screen. The aura of New York City lurks in the background of every scene and shot in Taxi Driver, sort of playing the role of the ultimate supporting character, giving the film its distinct look and feel. Can you think of a better and more fitting location for this film? I sure can’t.
Additionally, in a city that’s famous for its diversity, heterogeneous social worlds and distinct boroughs it’s plain to see how one distressed veteran, such as Travis Bickle, can get so alienated and estranged from society that he turns to violence to fight the corrupt moral decay of the city.
A World of Opportunity: Understanding & Tapping the Economic Potential of Immigrant Entrepreneurs,
This new report by the Center documents that immigrant entrepreneurs have emerged as a key engine of economic growth for cities from New York to Los Angeles--and, with the right support, could provide an even bigger boost to these cities in the years ahead
Immigrant Entrepreneurs Shape a New Economy
By NINA BERNSTEIN
Manuel A. Miranda was 8 when his family immigrated to New York from Bogotá. His parents, who had been
lawyers, turned to selling home-cooked food from the trunk of their car. Manuel pitched in after school, grinding
corn by hand for traditional Colombian flatbreads called arepas.
Today Mr. Miranda, 32, runs a family business with 16 employees, producing 10 million arepas a year in the
Maspeth section of Queens. But the burst of Colombian immigration to the city has slowed; arepas customers are
spreading through the suburbs, and competition for them is fierce. Now, he says, his eye is on a vast, untapped
market: the rest of the country.
In the long run, like bagels, "you're going to have arepas in every store," predicted Mr. Miranda, whose
innovations include a "toaster-friendly" version (square instead of round), and an experimental Web site that
offers online sales nationwide. "But I don't have the connections. I don't know the people who can advise how to
take us to the next level."
January 20, 2008
Urban Tactics
Little Cambodia, Growing Still Littler
By DAVID SHAFTEL
...
Data from the 2000 census shows that the city’s Cambodian population decreased by 31 percent from 1990 to 2000. According to a census analysis by the Hmong Studies Internet Resource Center, the decline occurred as nearly all the country’s other Cambodian communities were expanding.
At the high-water mark of 1990, census figures show, 2,565 Cambodians lived in the city, primarily in the Fordham, University Heights and Bronx Park East sections of the Bronx. Most were refugees who were resettled in New York after fleeing the repressive Khmer Rouge regime, which fell in 1979 and claimed nearly two million lives. According to an analysis of 2005 numbers prepared by the Census Bureau, barely 1,000 Cambodians then remained in the city.
Now defunct blog from ApexBus company for thier buses
East Coast Largest Chinatown Bus - ApexBus
ApexBus provides low-cost and reliable bus services between New York Chinatown, Washington DC Chinatown, Philadelphia Chinatown, Richmond, Norfolk and Atlanta.
Next Stop
During January, Billie Cohen is riding to and from work with some of the commuting millions, documenting a different trip each weekday.
Curb Job
By PETE HAMILL
Taxi drivers are the most enduring oppressed minority in New York City history. Race, ethnicity and religion are not sources of the oppression. It lies entirely in the nature of the work. Trapped for about 12 hours each day in the worst traffic in the United States, taxi drivers must suffer the savage frustrations of jammed streets, double-parked cars, immense trucks, drivers from New Jersey - and they can't succumb to the explosive therapy of road rage. Their living depends on self-control.
At the same time, they face many other hazards: drunks behind them in the cab, fare beaters, stickup men, Knicks fans filled with biblical despair, out-of-town conventioneers who think the drivers are mobile pimps. Some seal themselves off from the back seat with the radio, an iPod or a cellphone. All pray that the next passenger doesn't want to go from Midtown to the far reaches of Brooklyn or Queens. They hope for a decent tip. They hope to stay alive until the next fare waves from under a midnight streetlamp.
In this informative, solid history, Graham Russell Gao Hodges traces the story of the cabdrivers from 1907, when the first metered taxis appeared on New York streets, to the present. He writes with obvious sympathy, having driven a hack himself before moving on to academic labors as a historian at Peking University and Colgate. Loneliness is a running theme in "Taxi!": if the title were not already taken, Hodges could have called his compact history "One Hundred Years of Solitude.