avocets
Avocets
rss 2.0 subscribe to this page
search


view all
•  projects
•  owners
•  tags
Werner Herzogs Fitzcarraldo tells the story of a man with almost superhuman ambitions. Ironically in filming the movie, Herzog himself displayed an obsession with achieving the same unthinkable goal  moving a boat across a mountain. This project will examine the parallels between the outrageous feats accomplished both on screen and off, while simultaneously putting the film in the historical context of the Amazon rubber boom at the end of the 19th century. By looking at the contrast between the final film, the production, and the historical context, one may hope to gain an insight into the mind of this most interesting director.
tagged amazon boat germany herzog peru rubber by koplan ...on 10-APR-08
KlareLn, Peter F., 1938- . Peru : society and nationhood in the Andes / Peter Flindell KlareLn. 0195069277 (cloth) series New York : Oxford University Press, 2000.
Call#: Van Pelt Library F3431 .K53 2000
 
Chapter 8, entitled “The Aristocratic Republic: 1895-1919” gives an overview of the time period in Peruvian history. Viewed as a period of stability, the country entered a period of modernization and economic growth. After foreign investment slowed, domestic investment grew, prompting the growth of local manufacturing. Mining and textiles were two large industries that grew in the period. Foreign immigrants, particularly from Italy established some smaller manufacturing firms. During this period, the financial system of Peru greatly matured. While the economy advanced greatly, a paternalistic government maintained power in which only the literate could vote - hence the name “Aristocratic Republic.” The rubber boom had little connection to the rest of the economy during that time, triggered by growth in international demand. Beginning in the 1880s, rubber became to become an important sector in Brazil and the Peruvian Amazon. The boom came with huge profits as rubber came to be 30% of Peru’s exports by 1912. Iquitos went from a population of 200 in 1851 to 20,000 by 1914. The rubber boom ended, however during World War I as plantations began to producer rubber more cheaply in Asia. The author mentions Carlos Fitzcarrald as one of the wealthiest rubber barons. Additionally the boom “did help to perpetuate the myth of an Amazonian El Dorado of hidden potential wealth and resources.”
    In looking at social structures at the time, one finds that the oligarchical system of government in Lima parallels the emergence of a class of wealthy rubber barons that Herzog portrays in Fitzcarraldo. The rubber boom, while separated from the rest of the economy falls into a period of growth in Peru, making the growth in the Amazon similar to that of the rest of the county. By knowing the rest of the political and economic climate of turn of the century Peru, one can understand why so many foreigners had come to be in Peru at the time. One can also better understand why the fictional Fitzcarraldo stayed in Peru after the failure of his railroad. Lastly the perpetuation of the myth of an Amazonian El Dorado likely influenced Herzog in his decision to film there, particularly in his earlier film Aguirre.
 

belongs to Fitzcarraldo project
tagged history oligarchy peru rubber by koplan ...on 09-APR-08
Pearson, Henry Clemens, 1858-1936. .
Rubber country of the Amazon; a detailed description of the great rubber industry of the Amazon valley, which comprises the Brazilian states of ParaL, Amazonas and Matto Grosso, the territory of the Acre, the MontanLa of Peru and Bolivia, and the southe series New York, The India rubber world, 1911.
Call#: Van Pelt Library HD9161.B8 P3


Chapter XIX from this 1911 book gives an account of rubber production in Peru, written during the period of the rubber boom. Given the time, one can assume this chapter was written as a guide for those interested in entering the rubber business in Peru. As rubber became a very profitable export, Iquitos grew very quickly and foreign companies quickly began to build roads to facilitate access to the city. The text mentions that for two years around 1902, an English steamboat company had a monopoly on rubber export using boats specially built for the area. It lasted until direct shipments from Iquitos to New York and Liverpool began. At the time, several tribes had settled and would “wage relentless warfare against the wholly savage tribes,” capturing them and teaching them to work as rubber laborers. The chapter gives an overview of the extraction techniques and types of rubber. Lastly, the author gives an overview of the legal issues in securing land from the government, including that the government allows land contracts to go into effect only after a surveyor has viewed the land.

This source is rather unique in that it acts as a primary source for the rubber boom in Peru. By looking at a guide to Amazonian rubber at the time, one can better understand the mindset of the characters that inspired the movie. The section on legalities indicates that the entire purpose behind Fitzcarraldo’s journey has a historical basis rather than existing solely as a creation of Herzog’s to make a more coherent plot. The discussion of Iquitos allows one to better understand the setting of the film. The town was just on the brink of a population explosion during the period in which the film takes place. Watching the film, one can understand that most of the wealth in the town has just emerged. As Fitzcarraldo explores the land in the film, he contributes to only the earliest stages of the rubber boom, and while somewhat apparent in the film, one understands this far more upon reading this account written a little over a decade of the movie’s setting.

belongs to Fitzcarraldo project
tagged amazon iquitos primary_source rubber by koplan ...on 09-APR-08
Weinstein, Barbara. . Amazon rubber boom, 1850-1920 / Barbara Weinstein. 0804711682 series Stanford, Calif. : Stanford University Press, 1983.
Call#: Van Pelt Library HD9161.B82 W44 1983


In the chapter entitled, “Tappers and Traders,” Barbara Weinstein gives an overview of the Amazon rubber economy during the rubber boom around the turn of the century, while the book focuses on Brazil, the same methods were used in Peru. For a variety of natural causes, rubber trees grow very far apart naturally. Thus, in the extractive stage of rubber production, huge amounts of land were needed. Typically the estate owner would lease trails through the jungle to individual tappers. The tapper would then collect rubber from a number of trees, and sell the collection to the owner for roughly 50% of the market value of rubber. The rubber would sometimes change hands six times before being sold to consumers, hence the small fraction of the actual value the tapper received. The estate owner would sell the collected rubber to either an local intermediary who collected from a number of owners to then transport to Manaus or Belem, or if an estate had a river dock the owner would transport rubber directly to a major city like Manaus. Generally establishing a plantation involved little capital, and the money to be made during the boom helped offset any risk.


    This overview of the rubber economy helps contextualize Fitzcarraldo. By understanding the ways in which rubber was extracted, one can see why Fitzcarraldo needed such a huge tract of land. Additionally, in the film, most of the loan he takes goes to financing the ship. Because of the importance of transporting rubber, and the lack of any intermediaries in the area he was exploring, the motivation for moving the ship over the mountain becomes more evident. Without a means of transport, extracting rubber would prove to be fruitless. Fitzcarraldo seeks to establish his own company that would own the land and then transport the rubber a market. In doing so, he could maximize his profit by selling the rubber at the fair market value.

belongs to Fitzcarraldo project
tagged amazon fitzcarraldo rubber by koplan ...on 08-APR-08