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      In the chapter “Casablanca and the Paradoxical Truth of Stereotyping: Rick and the American Character”, James F. Pontuso examines the racial, ethnic, and gender stereotypes in the film. Most evident are the stereotypical French, German, Czech, and American figures that are meant to represent the sentiment of his or hers respective country. In discussing the depiction of the quintessential American character, Pontuso looks no further than Rick Blaine. He argues that there are two sides of Rick: the early, self-centered Rick who only cares about himself and the later idealistic Rick who sacrifices personal happiness for the sake of his commitment to a greater good. Each Rick, according to Pontuso, is a symbol of one aspect of the American character. Despite Rick’s semblance to an ideal American, he also has a universal perspective to his character; his identity is not constructed by an attachment to a particular place, but rather to a set of ideals that he believes are common to all humanity. This adds to the ambiguity of Rick’s character. Pontuso sights a scene when Strasser asks Rick what his nationality is and Rick answers, “I’m a drunkard.” Renault then adds, “That makes Rick a citizen of the world.” While it is clear that Rick represents the archetypal American figure, he tries hard to maintain his ambiguity throughout the film.
    At the end of Casablanca, Rick does what any American would do in the face of war: he protects his ideals. Pontuso explains that in a peaceful time Americans exercise their rights by pursuing their individual interests, but when the rights that protect their interests are jeopardized, Americans act determinedly to protect their ideals. Rick realizes that the chances for true love are not promising during such a perilous time, so he chooses to take action. Pontuso quotes a statement by the Bureau of Motion Pictures during WWII, “Casablanca shows that personal desires must be subordinated to the task of defeating fascism.” Pontuso gives us enough reason to believe that the American character and Rick Blaine are one in the same. By portraying a character that epitomizes the supreme American, both in disposition and action, Rick hands American political ideals to viewers on a silver platter.

 

Political philosophy comes to Rick's : Casablanca and American civic culture / edited by James F. Pontuso. [0739108328 (hardcover : alk. paper) ] Lanham : Lexington Books, c2005.
Call#: Van Pelt Library PN1997.C352 P65 2005

Essay Number Ten:  On the Argument of Casablanca and the Meaning of the Third Rick by Kenneth De Luca

 

            The appeal of Casablanca is unmistakable.  Popular amongst men and women of all ages, Casablanca is frequently listed as the second greatest film of all time.  What makes this film so universally popular that it can still garners passionate fans amongst generations that can not even remember World War II,  the studio system, or even Bogart and Bergman?  It is this question that Political Philosophy Comes To Rick’s: Casablanca and American Civic Culture tries to answer with a series of relevant scholarly essays.  The tenth essay (written by Kenneth De Luca) is of particular interest to the analysis of the legendary film.  This essay reflects on the relationship between Rick’s character and the ideals of America.  According to this essay, Rick’s character maintains modern American appeal because he represents the personification of Jeffersonian individualism.  Rick is a man who needs to be free to the point where he can actually be moral and even beautiful.  By making the ultimate sacrifice of love, Rick achieves personal autonomy and also freedom from the overwhelming guilt of having done the morally wrong thing.  De Luca states that Americans find this sacrifice seductive because it represents a combination of seemingly irreconcilable freedoms – freedom to satisfy self interest and freedom to be directed by some higher purpose.  This essay is important to the study of Casablanca because it shows the noncommercial / non-studio system aspects of Casablanca overwhelming popularity.