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Questions of modernity / Timothy Mitchell, editor. 0816631336 (hard) series Minneapolis : University of Minnesota Press, c2000.
Call#: Van Pelt Library HN980 .Q47 2000
1 The Stage of Modernity / Timothy Mitchell 1
2 Two Poets and Death: On Civil and Political Society in the Non-Christian Word / Partha Chatterjee 35
3 Witness to Suffering: Domestic Cruelty and the Birth of the Modern Subject in Bengal / Dipesh Chakrabarty 49
4 Modern Subjects: Egyptian Melodrama and Postcolonial Difference / Lila Abu-Lughod 87
5 The Thin Line of Modernity: Some Moroccan Debates on Subjectivity / Stefania Pandolfo 115
6 The Sovereignty of History: Culture and Modernity in the Cinema of Satyajit Ray / Nicholas B. Dirks 148
7 The Making of Modernity: Gender and Time in Indian Cinema / Veena Das 166
8 Body Politic in Colonial India / Gyan Prakash 189
2 Two Poets and Death: On Civil and Political Society in the Non-Christian Word / Partha Chatterjee 35
3 Witness to Suffering: Domestic Cruelty and the Birth of the Modern Subject in Bengal / Dipesh Chakrabarty 49
4 Modern Subjects: Egyptian Melodrama and Postcolonial Difference / Lila Abu-Lughod 87
5 The Thin Line of Modernity: Some Moroccan Debates on Subjectivity / Stefania Pandolfo 115
6 The Sovereignty of History: Culture and Modernity in the Cinema of Satyajit Ray / Nicholas B. Dirks 148
7 The Making of Modernity: Gender and Time in Indian Cinema / Veena Das 166
8 Body Politic in Colonial India / Gyan Prakash 189
Screen [0036-9543] 48.2 (2007).
Elizabeth Ezra and Jane Sillars
Hidden in plain sight: bringing terror home
Screen 2007 48: 215-221; doi:10.1093/screen/hjm017
Mark Cousins
After the end: word of mouth and Caché
Screen 2007 48: 223-226; doi:10.1093/screen/hjm018
After the end: word of mouth and Caché
Screen 2007 48: 223-226; doi:10.1093/screen/hjm018
Martine Beugnet
Blind spot
Screen 2007 48: 227-231; doi:10.1093/screen/hjm019
Paul Gilroy
Shooting crabs in a barrel
Screen 2007 48: 233-235; doi:10.1093/screen/hjm020 [Full Text] [PDF]
Ranjana Khanna
From Rue Morgue to Rue des Iris
Screen 2007 48: 237-244; doi:10.1093/screen/hjm021 [
Max Silverman
The empire looks back
Screen 2007 48: 245-249; doi:10.1093/screen/hjm022 [
Irwin, John T. . Unless the threat of death is behind them : hard-boiled fiction and film noir / John T. Irwin. [0801884357 (acid-free paper) ] Baltimore : Johns Hopkins University Press, 2006.
Call#: Van Pelt Library PS374.D4 I78 2006
Call#: Van Pelt Library PS374.D4 I78 2006
Critical Inquiry: Vol. 7, No. 1, On Narrative, pp. 121-140
http://links.jstor.org/sici?sici=0093-1896%28198023%297%3A1%3C121%3AWNCDTF%3E2.0.CO%3B2-W
Creed,B Creed,B. The monstrous-feminine : film, feminism, psychoanalysis. [0-415-05258-0]
Chap. 1, "Kristeva, Femininity, Abjection";
Chap. 2, "Horror and the Archaic Mother: Alien";
Chap. 3, "Woman as Possessed Monster: The Exorcist"]
Chap. 2, "Horror and the Archaic Mother: Alien";
Chap. 3, "Woman as Possessed Monster: The Exorcist"]
Everything you always wanted to know about Lacan : (but were afraid to ask Hitchcock) / edited by Slavoj ZÌŒizÌŒek. [0860913945 : ] London ; New York : Verso, 1992.
Call#: Van Pelt Library PN1998.3.H58 E9 1992
Call#: Van Pelt Library PN1998.3.H58 E9 1992
Copjec, Joan. . Read my desire : Lacan against the historicists / Joan Copjec. [0262032198 ] Cambridge, Mass. : MIT Press, c1994.
Call#: Van Pelt Library BF175.4.C84 C66 1994
Call#: Van Pelt Library BF175.4.C84 C66 1994
1. Introduction: Structures Don't March in the Streets 1
2. The Orthopsychic Subject: Film Theory and the
Reception of Lacan 15
The Screen as Mirror
Orthopsychism
The Mirror as Screen
3. Cutting Up 39
The Death Drive: Freud and Bergson
Cause: Lacan and Aristotle
Achilles and the Tortoise
Cause and the Law
4. The Sartorial Superego 65
Colonies and Colonnades
Guilty versus Useful Pleasures
Beyond the Good Neighbor Principle
Fantasy and Fetish
5. Vampires, Breast-Feeding and Anxiety 117
The Drying Up of the Breast
Breast-feeding and Freedom
6. The Unvermogender Other: Hysteria and Democracy
in America 141
The Teflon Totem
The Modern Forms of Power
7. Locked Room/Lonely Room: Private Space in Film Noir 163
The Actuarial Origins of Detective Fiction
The Locked-Room Paradox and the Group
Detour through the Drive
The Voice and theVoice-Over
Locked Room/Lonely Room
Lethal Jouissance and the Femme Fatale
8. Sex and the Euthanasia of Reason 201
The Phallic Function
The Female Side: Mathematical Failure
The Male Side: Dynamical Failure
Sexual Difference and the Supergo
2. The Orthopsychic Subject: Film Theory and the
Reception of Lacan 15
The Screen as Mirror
Orthopsychism
The Mirror as Screen
3. Cutting Up 39
The Death Drive: Freud and Bergson
Cause: Lacan and Aristotle
Achilles and the Tortoise
Cause and the Law
4. The Sartorial Superego 65
Colonies and Colonnades
Guilty versus Useful Pleasures
Beyond the Good Neighbor Principle
Fantasy and Fetish
5. Vampires, Breast-Feeding and Anxiety 117
The Drying Up of the Breast
Breast-feeding and Freedom
6. The Unvermogender Other: Hysteria and Democracy
in America 141
The Teflon Totem
The Modern Forms of Power
7. Locked Room/Lonely Room: Private Space in Film Noir 163
The Actuarial Origins of Detective Fiction
The Locked-Room Paradox and the Group
Detour through the Drive
The Voice and theVoice-Over
Locked Room/Lonely Room
Lethal Jouissance and the Femme Fatale
8. Sex and the Euthanasia of Reason 201
The Phallic Function
The Female Side: Mathematical Failure
The Male Side: Dynamical Failure
Sexual Difference and the Supergo